Taking Choreography Offline

Or at least part of it. In a new work, Zoom participants bang pots and pans in their kitchens, and then received the “score” as a PDF to complete on their own. For choreographer Yanira Castro, “It’s hopefully a gift that’s like, you can do this if you want. But “being present with the page” is also a form of performance. – The New York Times

Utah Is Actually A Dance Hotbed. How’d That Happen?

“We’re relatively small, yet boast a top-tier ballet company, the nation’s first repertory dance company, the first school of ballet at an American University, the world’s largest ballroom dance program and multiple powerhouse studios.” How did that happen? “Utah has a unique history that nourished dance,” says one local insider, and that history very much includes the Mormon settlers. – Salt Lake Magazine

What Carlos Acosta Wants For Birmingham Royal Ballet

Well, besides getting through COVID (and he has things to say on that, too). “I want to challenge the perception that ballet is for white people, this is for old people. … We are in Birmingham, with its own demographic, and we have to keep that in mind when commissioning. I want to highlight how important the city has been to the U.K. Heavy-metal music was born here, Led Zeppelin came from here — we’ll do those ballets! But this art form was born centuries ago, and we have a responsibility to cultivate that side, too.” – The New York Times

Feats Of Strength: Dancing ‘The Rite Of Spring’ As A 35-Minute Solo

For the Joyce Theater’s online season, choreographer Molissa Fenley has revived State of Darkness, her 1988 adaptation of the Stravinsky ballet for a single performer, with seven different dancers — as different as Sara Mearns, Annique Roberts, and Michael Trusnovec — giving their own interpretations. Gia Kourlas reports on how the project has come together. – The New York Times