“‘I’m going to walk through; it’s going to be so awkward,’ says BalletX artistic and executive director Christine Cox, addressing 119 auditionees and acknowledging the ever-intimidating clipboard she holds. The room bursts into laughter, and smiles linger as pliés begin.” Hannah Fox sits in on the audition. – Dance Magazine
Category: dance
Why Are There So Many Movies About Horny Dancers Going Insane And Killing Each Other?
Just in the past year, there’s been Red Sparrow, Suspiria, and Climax. “What is it about dancers that inspires filmmakers to depict them in various forms of total destruction? And, most importantly, how closely do these films hew to real life? In other words, are all dancers really just horny, deranged murderers?” Rachel Handler asks a couple of real-life dancers for the truth. – Vulture
Oakland Ballet Needs a Home. Oakland’s Civic Center Needs A New Purpose. Is It A Match?
“We want this public asset used for the maximum public benefit. Not only is there a housing crisis, there’s also a crisis in terms of us being able to preserve culture.” – KQED
What Stage Dancers Doing On-Camera Work Need To Know
“For dancers with a strictly concert background, making the transition into TV and film can feel like stepping into the unknown. The heightened speed of the rehearsals, ever-changing structure of the sets and somewhat alien nature of the cameras is enough to make even the most seasoned professional a little apprehensive. But dancers can apply the savvy they’ve learned on concert stages to on-camera opportunities.” – Dance Magazine
After 36 Years, Minneapolis’s Zenon Dance Company Is Closing Down
“We are being forced out because of lack of funding,” said Linda Andrews, the company’s artistic director, citing the withdrawal of crucial grants by the Jerome Foundation and the philanthropic arm of Target stores. “Things look like they are changing pretty dramatically amongst the funding community, and a lot of organizations are affected by that.” – The Star Tribune (Minneapolis)
The Venerable Dance Critic At 85
Deborah Jowitt, who has been reviewing since 1964, has probably vexed fewer choreographers than most other leading critics. She speaks of Taylor tenderly (“a genius”), and with gratitude. As the subject of her first review for The Village Voice (Nov. 9, 1967), he immediately wrote her with advice: She should have more confidence in her own views and not quote a senior critic to prop herself up. – The New York Times
Louisville Ballet Did A Piece With A Same-Sex Relationship — And Got Even More And Nastier Mail Than They’d Expected
“We knew by promoting a love story between two men we would make some people uncomfortable,” said company officials of Human Abstract, “but we were not prepared for this grotesque display of hate.” (They say that positive response outweighed the negative.) One particularly vicious email got its author, a research cardiologist, fired from editorship of a science journal. – The Courier-Journal (Louisville)
A Dance Company For Black Women, Without Mirrors, Music, Or Body-Shaming
“Incorporating four components into their practice: dance, discussion, writing and American Sign Language, dance company BLAQ works to give black women a space where they can be free of the stereotypes and discrimination they experience in daily life and heal through the unfiltered expression of dance.” Reporter Becca Most visits the Minneapolis studio with BLAQ founder Deja Stowers. – AP (Minnesota Daily)
How A Dance Photo Went Viral And Became An Issue In Algeria’s Presidential Election
On Friday, March 1, 17-year-old Melissa Ziad performed a few classical dance steps in front of a large Algerian flag at a demonstration in the country’s capital city of Algiers. The steps, like her outfit – ballet shoes with jeans and leather jacket – caught people’s attention. – France24
Misty Copeland On Erica Lall
Copeland’s colleague at American Ballet Theatre used to be a kid looking up to her – and Copeland is impressed with the adult Lall: “Erica is very mature in terms of knowing what she wants and being assertive in a way that I think really works — especially as a Black dancer. There’s a fine line between maintaining your identity, and not becoming someone you’re not just to fit in with a certain culture.” – Refinery29
