Mark Morris Back On Track?

“There hasn’t been a new work to rank with his finest for a number of years now. His recent Sylvia got a mixed reception here (I was one of the doubters), and an even more recent King Arthur has been mauled by critics in London. Which explains the relief that many of us are feeling over his latest major effort, Mozart Dances, which just played to three sold-out houses at the New York State Theater as part of this summer’s Mostly Mozart Festival.”

The New Brazilian Dance

“In Brazil dance has emerged from religion and folklore within the heart of the community or from outsiders: teachers or visitors drawn there by the opulence of the Carnival or other cultural events. They stayed and influenced the culture with their ideas and teaching methods. In staying and sharing, they, too, were influenced by the culture.”

The New Superstars Of The Steppes

In Soviet times, scouts from Moscow and Leningrad regularly roamed into the USSR’s furthest outposts, discovering children for free training – the Siberian Rudolf Nureyev, the Kazakhi Altynai Asylmuratova, the Uzbekh Farouk Ruzimatov and the Georgian Nina Ananiashvili, for example. Since the end of communism, regions have lost free access to the Mariinsky and Bolshoi schools, and increasingly the companies’ profile is narrowing on to a north-western population. This has opened interesting opportunities for ex-republics such as Georgia who are building their own…

At Bolshoi, Swan No Longer Requires Resurrection

London audiences at the Bolshoi’s “Swan Lake” will witness a departure from the company’s Soviet past in that “the swan actually dies. The balletomanes among you may snort indignantly that of course the swan dies, that Odette’s death is integral to the story and that it is, in essence, the pivotal point of the plot. But you are not reckoning with the thought police of the old Soviet Union, or the mind processes of its Ministry of Culture, and you clearly did not see the Bolshoi production designed by the famous Yuri Grigorovich in 1969 and performed by the company until the collapse of the old order.”