Choreography Meets Cognitive Science

“With a dozen high-def cameras and a couple of camcorders, plus pens, notebooks, sketch pads and laptops, more than 40 people spent three recent weeks in a black-box theater on the campus of UC San Diego documenting what was occurring there. The object of their study was notoriously elusive: dance and the process of choreographic creation.”

History In The Making In Seattle?

The Cameroon-born choreographer Merlin Nyakam and his Compagnie La Calebasse, which “does more than just meld African dance vocabulary with European-style scenic clarity and phrasing,” is making its U.S. debut this weekend. The Seattle Times‘s critic says that “Seattle audiences have a rare chance to gaze into a crystal ball this weekend and glimpse a future world choreographic master.”

Revamped, Israel’s Batsheva Harnesses Its Essential Energy

“Since its first tour of the United States in 1970, Israel’s Batsheva Dance Company has won over American crowds and critics alike with its energetic approach to dance. At the time, it was, perhaps, a novelty: an Israeli group performing primarily American repertory with unbridled verve and vigor. But in the past 18 years, the company has become a phenomenon of a different sort.”

Alvin Ailey Legacy Goes On Stronger Than Ever

“Twenty years after his passing, the spark of Ailey’s vision, famously encapsulated in his belief that “dance came from the people and should be delivered back to the people,” continues to guide his company, which has performed in 71 countries on every continent except Antarctica, and brought the work of more than 70 choreographers – including 79 works by Ailey himself – to an estimated 21 million people.”