Boot Camp Dance

For Ethan Stiefel training is about “more than perfecting steps or even transcending the limits of the human body. At the school he has formulated a set of eight initiatives. Inspired by the principles of many martial arts, the list concludes, ‘We will work toward becoming great dancers, while understanding that being a good person is the true goal’.”

Revenue Drop-Off Forced Nevada Ballet’s Reductions

“Nevada Ballet Theatre’s announcement Tuesday that it would let go nine dancers and cut its final concert of the season came as almost no surprise. … Reeling from the recession, ballet companies across the country are reducing staffs and canceling performances. Nevada Ballet took its actions to cover budget shortfalls caused by a drop in revenue from ticket sales, contributions, academy tuition and special events.”

Los Angeles Ballet Gets By With A Little Help From Its Friends

The company launched its third season last weekend with Balanchine’s Prodigal Son, staged by former Balanchine colleague Patricia Neary. “One of that ballet’s greatest interpreters of the title part, Miami City Ballet director Edward Villella, loaned them costumes and sets (modeled on Georges Rouault’s originals).” And the dancers of the fledgling troupe performed the piece “flawlessly.”

Making The Sharks And Jets Rumble

For the new Broadway revival of West Side Story, Joey McKneely has the daunting job of recreating Jerome Robbins’s choreography. “Mr. McKneely’s task is as hard as it sounds. Like balletomanes devoted to Balanchine many Robbins disciples and fans see every step in West Side Story as sacred. But, as Mr. McKneely pointedly asked, ‘What is the original choreography?'”