Looking Inside The School Of American Ballet

“Dancing is made to appear as something not just of repetition and display but of internal contrasts and musical intricacy. Thanks to the teaching of Jock Soto (himself an extraordinarily able partner from his earliest days with City Ballet in the 1980s), both girls and boys are learning aspects of partnering that their predecessors learned only in their professional careers.”

Turning Your Company Over To Another Choreographer

“Christopher House appears willing to relinquish control over the nine dancers (and two interns) in Toronto Dance Theatre in return for artistic growth. Last fall, he delivered them into the hands of New York post-modernist maven Deborah Hay, who introduced them to a new way of creating dance. Now, split into two groups, the dancers are working with Christoph Winkler and Felix Marchand, two choreographers from Berlin, to stretch their creative boundaries further still.”

More Challenging Fare Could Help Ballet To Thrive

“We’re in a recession that may prove a depression. One way for ballet to survive is to keep shoveling out ever more fouetté turns and grandes pirouettes and multiple entrechat-six and circuits of turns or jumps on the assumption that audiences can’t get enough of them. Another is for those in charge to help audiences become more intelligently interested.”

Orange County PAC Uses Gala To Raise Its Dance Profile

The Orange County Performing Arts Center’s “Gala Dance Spectacular” tomorrow night is “centered on the world premiere of ‘Fallen Angel,’ a new work by Boris Eifman,” but the starry evening isn’t intended as a fundraiser. “The idea behind this program … is to make an investment in OCPAC’s reputation as a presenter of international dance and center for the development of new work.”

Cloud Gate Founder Wins Lifetime Achievement Award At Movimentos

“Praised as a major innovator in the field of dance, Taiwanese choreographer Lin Hwai-min was presented with a Movimentos lifetime achievement award Tuesday. Lin, founder and artistic director of the Cloud Gate Dance Theatre, is only the second choreographer to receive the honor … The jury ranked Lin’s contributions to the creativity of dance on the same level as those of George Balanchine, Maurice Béjart, [and] William Forsythe.”

The End Of Riverdance?

“The production that starts performances May19 at the Canon Theatre is being billed as its “farewell tour” and it’s wending its way through every city the show has ever played in Europe and North America, just to say goodbye. But is this a genuine last kick at the can?”