Morphoses Settles on a Post-Wheeldon Plan

The ballet troupe which was founded as “Morphoses: The Wheeldon Company” was in a bind after Christopher Wheeldon abruptly left the organization in February. “His co-founder and the company’s director, Lourdes Lopez, said on Wednesday that a different artistic director will be put in place each season. First on the list is Luca Veggetti, the Italian stage director and choreographer.”

A Second-Generation Alonso and Second-Generation Cuban Ballet

The company Pro Danza, directed by Alicia and Fernando Alonso’s daughter Laura, started out as “something of a second-company within the National Ballet of Cuba, and served as a fast-track to stage time. It is now an independent operation with more than 40 company dancers, 200 students and 10 teachers” – and an international network of supporters.

Short Dance Pieces: ‘Sometimes Less Means Far, Far More’

Judith Mackrell: “[In] a culture where choreographers are pressured to create within standard formats – 30 minutes for a triple-bill piece, 60-90 minutes or more for a full evening’s work – I think we’re missing the point of the very short work, its zest and its challenge. For experimental choreographers, the five- to 15-minute slot is ideal – serious ideas can be addressed without becoming sermons.”

Tap Dance Meets Kathak

At the American Dance Festival in 2004, Indian kathak dancer Pandit Chitresh Das encountered tap dancer Jason Samuels Smith practicing in a hallway. ”Whatever Jason was doing with his tap shoe I was doing with my bare feet. He turned around and said ‘Man, what are you doing?'” Within three days, they were performing together, and the makings of their show Tap Kathak was born.”