Australia’s Top Two State Ballet Companies Look To Leap Forward

With relatively stable finances, recent artistic successes and artistic directorships to fill, West Australian Ballet and Queensland Ballet have plans to raise their game by hiring more dancers, doing more touring in their regions and (if possible) overseas, and performing innovative choreography that keeps them from looking like mini-mes of the Australian Ballet.

Ethan Stiefel On The ‘Ruggedness’ Of Royal New Zealand Ballet

“Being on the road a lot, going across the country every two years to so many different places makes us unique in that there is a real kind of rugged quality – and I mean that in the best possible sense. … [My] dancers here deliver first-class performances in sometimes less-than-ideal conditions, and that’s something that makes me proud.”

A Family Affair: Georgia’s National Folk Dance Troupe

“Founded nearly 70 years ago by the husband and wife team of Iliko Sukhishvili and Nino Ramishvili and initially named the Georgian State Dance Company, the troupe” – currently called the Georgian National Ballet and not to be confused with Nina Ananiashvili’s State Ballet of Georgia – “has travelled from the back offices of suspicious state and party officials in 1945 to some of the greatest stages in the world.”

Karma Bites: Mikhailovsky Ballet’s First Big Plans For Stars Poached From Bolshoi Get Blocked By ABT

“The Mikhailovsky Theater of St. Petersburg, Russia, scored a coup last fall by luring two of ballet’s biggest stars” – Natalia Osipova and Ivan Vasiliev – “from the Bolshoi, and it was to have brought them to the United States this summer for a run of shows at Lincoln Center. But those plans have been scrapped … because American Ballet Theater exercised a no-compete clause involving those very same dancers.”