Revealing Choreography: Analyzing The New York State Exotic Dance Tax Case

“In the United States, should any government tax strip clubs where choreographed adult entertainment like exotic dancing is featured when it has a law providing a tax exemption for ‘live, dramatic, choreographic or musical performance,’ whether it is nonprofit or for profit? … The question at stake is who decides whether exotic dance, or any other dance genre, is a ‘choreographic’ performance.”

The New Anna Karenina Film Is Like A Ballet – And Ballet Companies Should Learn From It

Sarah Kaufman: “[The film’s] director and choreographer worked closely together to create a magical, stylized world of piercing, intensified feeling. In the dance world, such a feat is all left to one person, the choreographer or company director. … But making a work of living, urgent and irresistible theater, where every moment works, not just the danced ones, is often simply not in the dance specialist’s arsenal.

‘Get Out Of My Sight’: The First Time Gerald Arpino Laid Eyes On Me

Former Joffrey star Adam Sklute, now artistic director of Utah’s Ballet West: “[He] screamed out to me from the front of the studio, saying, ‘You there. You, with the spatulas at the end of your legs. Get out of my sight.’ Some dancers might have been crushed, but I thought, ‘Gee, he noticed me,’ so I knew I was doing something right.”

How Ballet And Video Games Are Alike

“Ballet is, in the words of Homans, ‘full of emotions and the feelings that come with music and movement.’ And so are games. Ballet straddles the world of music, literature, art and performance. And so do games. And much like the way video games have struggled to separate themselves from sports, board games and toys, early ballet struggled to separate itself from music; dance was not seen as a distinct art form.”