Reviving A Ballet Only Fonteyn And Nureyev Could Dance

Marguerite and Armand “was created by Sir Frederick Ashton exactly 50 years ago for the legendary Margot and Rudolf and it was believed that it would die with them – that nobody else could ever tread onto their hothouse emotional turf with sufficient magnetism and mystique.” Yet since the turn of the new century, companies have occasionally given the piece a try? Is it good enough to survive without its legendary leads?

Villella’s Successor Reveals Plans For Miami City Ballet

“While preserving the Balanchine legacy at Miami City Ballet, [Lourdes] Lopez also wants to introduce new choreographers and dances, particularly those that appeal to Miami’s multicultural audiences.” She also plans an extensive collaboration with Morphoses, which she co-founded with Christopher Wheeldon in 2007, that may involve moving the company from New York to Miami.

Bolshoi’s Double-Bill Rite Of Spring Is Back On

Moscow’s centennial celebration of the Nijinsky-Stravinsky work was to include both a reconstruction of the original 1913 ballet and a new version by choreographer Wayne McGregor – until he withdrew following the acid attack on Sergei Filin. Now the celebration is back on, with a new setting of Rite put together from scratch in weeks. In a Q&A, acting artistic director Galina Stepanenko explains.