Alexei Ratmansky On His Time Leading The Bolshoi Ballet

“The worst thing is the snobbery of this place, that ‘we are the best because we are the Bolshoi'”. That I hate. And maybe I did something intentionally or unintentionally to challenge this, by inviting guest artists, or giving them material that they had to struggle to work on, to discover their weak sides.” A look back at an interview from 2008.

At The Bolshoi, Even The Claques Are Choreographed

“Mr. Abramov’s people are ordinary-looking middle-aged Russian women in cloth coats, and their expressions are all business. They assemble on the stairs, and as the first curtain approaches, they break up into formations, like synchronized swimmers, and vanish into the stream of people heading to their seats. … [Abramov’s] job is to engineer applause and ovations, on the basis of secret agreements with dancers, using associates planted in the audience.”

Mexican Youths, Despite Macho Culture, Turn To Studying Ballet

“In a country well known for its deeply-ingrained machismo, a group of pioneering young male ballet dancers have been tackling the country’s traditional values as they learn to dance. Ivonne Robles Gil has played a major role in breaking down ingrained ideas about traditional male roles by training more than 50 young men in classical dance.”