Royal Ballet Of Flanders Fires Artistic Director

“Although the ballet did not provide an explanation for letting her go, from the beginning, [Assis] Carreiro was a controversial choice for the role of artistic director. … Dancers wrote a letter to the organisation’s board late last year citing that 69% of them had voted no confidence in the artistic director. Eventually, one-third of the company left.”

Watch The Mariinsky Ballet Take Class

“It is interesting to see any company in class, to glimpse behind the greasepaint and the glamour to see the sheer hard work and repetitive grind which makes onstage greatness possible. But it is particularly fascinating to watch the Mariinsky in action, partly because their dancers are so famous – but mainly because their style is so pure.” (includes video)

Contemporary Choreography Is Hard, Says Natalia Osipova

“In ballet, the muscles on the inside part of your legs work, but here you use the muscles on the outside of your legs. There’s a lot of pressure on the knees, which you don’t get in classical ballet, and you dance practically barefoot, which is also unusual. Lots of falling movements – when we were rehearsing we were covered in bruises, all beaten and battered!”

Here’s What Black Ballet Dancers Really Go Through

“Racism is less about what happens to you and more about what doesn’t happen to you.” As ABT’s Misty Copeland prepares to dance the White and Black Swans for the first time, she and several of her dark-skineed colleagues (including Carlos Acosta) talk about the challenges they still face (yes, including hate mail and physical threats) and the progress that’s being made.

Ballet San Antonio’s Founder Starts City’s Second Professional Company

“With performances during its inaugural season under its belt, organizers of … Ballet Latino de San Antonio, are working on the fall 2014 schedule as well as plans for performing abroad next year.” The company was established by the city’s ballet madrina, Mayra Worthen, who stepped down as Ballet San Antonio’s artistic director in 2011.

Misty Copeland Has The “Wrong” Body For Ballet? Then We Need More “Wrong”

George Balanchine “had a very particular aesthetic. … As a result, great ballerinas in the American tradition (just like their Russian counterparts) are slender and taut. They have small heads, long limbs, and downward-sloping shoulders. They have tiny waists, narrow hips, and often a visible sternum. They are porcelain white. Then there’s Misty Copeland.”