How Garth Fagan Makes His Dances

“Fagan’s blend of Afro-Caribbean and modern dance is technically challenging, requiring changes in rhythms and speed. … But Fagan’s choreographic process begins in silence, when he has the dancers learn the movement and rhythms. ‘They learn the parts of the body that they should and shouldn’t use,’ added Fagan, ‘then I bring the music and their eyes light up.'”

“I Have A Taste For Being A Nuisance”: Eiko, Without Koma, Creates Her First Solo Dance Work

And it’s in, of all places, 30th Street Station in Philadelphia. “Eiko realizes that she might be an irritant for some hurried travelers. ‘You will have to accept me,’ she said. ‘So how do I deliver the pleasure of being a nuisance? I think I have a taste for it, and that’s the bottom line: I have a taste for being a nuisance.'”