New Audiences For Dance? Here’s How

“Just like American sports fans today who may fall in love with soccer, and cheer for a club based 5,000 miles away while ignoring the one in their own backyard, American ballet fans tomorrow are primed to subscribe to a ballet company that they will rarely, if ever, have the opportunity to see live, but can still enjoy through one of many different distribution channels.”

A Compelling Reality Series On NY City Ballet

“Other reality-type ballet shows have strained to squeeze some drama out of the workaholic grind of a dancer’s life (I’m thinking of the short-lived “Breaking Pointe,” the Ballet West soap opera). But “citi.ballet.” doesn’t make its dancers look like needy geeks, freaks or goofballs; rather, they’re hard-working, self-possessed people with interesting stories to tell.”

St. Petersburg’s Upstart Ballet Company Makes Its U.S. Debut

“When we think about Russian ballet, our minds inevitably drift to two companies, the Bolshoi and the Mariinsky. They represent a kind of yin and yang of Russian aesthetics. … [But] the Mikhailovsky Ballet of St. Petersburg, has lately seen its fortunes rise, propelled by the ambitions of Vladimir Kekhman, a Donald Trump-like tycoon who built his fortune on fruit imports.”

New York City Ballet’s Web Documentary Is Back (And All Too Brief)

Margaret Lyons: “I generally prefer longer-form, more in-depth pieces. But city.ballet captured me completely, and the series’ second season, which premiered yesterday, is much of the same: a fascinating, moving, sometimes transcendent behind-the-scenes look at the New York City Ballet. I just wish there were more of it. The longest episodes of the new 12-episode season are still only clocking in around eight minutes.”