Professional Dance Critic Defends Super Bowl’s “Bad Left Shark”

“The breakout stars of last night’s Super Bowl halftime show were, needless to say, the sharks. Flanking Katy Perry, they mutely waved their fins and flapped their jaws to the words of ‘Teenage Dream.’ … But Left Shark, (who, for what it’s worth, was actually ‘stage right shark’), visibly struggling with the choreography, promptly became the butt of the internet’s jokes.” But we should cut him some slack. (includes video)

Flex Dance Is Traveling Far And Away From East New York

“Flex is said to have originated in the 1990s in Jamaica with a dancer who called himself Bruck Up. It developed in Brooklyn, mainly in dance battles and tournaments, both informal and organized. Although the form has found exposure through television competitions and an ocean of online music and dance videos, the attention from the likes of Mr. Sellars is recent.”

So, How Do We Fix Ballet’s Diversity Problem?

“Every dancer has her head positioned at the same angle, all in perfect rows, symmetrical, identical. Some productions include uniform wigs for all of their dancers. This aesthetic can still be seen on full display with the Russian companies today, and is one of their signature artistic strengths. Is racism therefore subconsciously built into the very structure of classical ballet?”

How To Think About Dance And Movement? Start With An Idea

“I am convinced that choreography is not only the best [art] form to buy a ticket for, it is also an orchestration of encounters, the setting up of encounters between different minds,” she said. “I hope we give audiences the possibility to enter the choreography themselves, but also to intellectually stimulate the publics we encounter, more than just satisfy them and try to do it very gently, not aggressively.”