How Irish Step Dancing Left Irish Ethnicity Behind

“When it was whites who made up the majority of U.S. immigrants, it really mattered if you were Irish, Italian, or some other white ethnicity. … Once the distinctions no longer mattered and the stigma of being Irish had faded, then Irish dance could be something anyone did and others would want to do. And, so, now anyone does. The three-time winner of the All-Ireland Dancing Championship in Dublin is a biracial, black, Jewish kid from Ohio.”

Whatever Happened To Cedar Lake Contemporary Ballet, It Doesn’t Mean Dance Is In Danger

“But even with no conclusive sign that Cedar Lake’s issue is one of funding, the dance community is positioned to jump on the ‘arts is dying’ bandwagon immediately. … Why do we chalk this up to just another financial failure? Perhaps because as a dance venture, we are used to being on a respirator, scraping by season to season.”

Nederlands Dans Theater’s Do-It-Themselves Fundraiser For NGOs

Switch is an evening conceived, choreographed and produced fully by the NDT performers … all profits from [which] go entirely to a community need the dancers hunt down themselves. … When they’ve targeted an organization, they look for ways to get involved beyond financial contribution. They volunteer their hours, they show up to teach free workshops, they raise awareness.”

The Last of India’s Jagannath Temple Dancers Is Gone

“Like most devadasis, or maharis, as the dancers in Odisha are known, Sashimani came from a poor family and was initiated into service at the temple when she was a small girl – in her case, at the age of 7 or 8, she said. After she reached puberty, she was considered a ‘living wife’ of Lord Jagannath, the god whose timber image is worshiped at the temple, and was not expected to marry.”

A Shadow Ballet Between Human Dancers And Dancing Drones

“It’s more than a cool gimmick. Instead of having drones on stage just for the sake of having them, the clip shows how the machines can be used in subtler, more expressive ways. Being able to choreograph the three independently-moving light sources around a performer presumably lets you create all sorts of visual effects you simply couldn’t achieve otherwise.”