“So, how do some academies in Texas – and across the U.S. – get more boys to sign up for ballet? One way is free tuition. While girls can pay thousands of dollars a year for lessons and gear, boys can get lessons for as little as nothing.”
Category: dance
How Julie Kent Plans To Reshape Washington Ballet
Her predecessor, Septime Webre, “stamped the Washington Ballet as a showcase of youthful punch and audience-friendly showmanship. … [Kent] She aims to groom the Washington Ballet in the more refined, elegant language of the classics and first-rate contemporary works.”
How Do You Make Emergency Drills Less Annoying? Turn Them Into Choreography
“Emergency evacuation drills, though necessary, are a pain: they seem to always happen when we least expect it and interrupt us when we’re at our most productive. At SIGNAL gallery, the procedure becomes a delight, with artist Madeline Hollander transforming what we’ve all rehearsed with irritation into a mesmerizing performance.”
The Matthew Bourne Dancer Killed In A Collision Last Year? The Driver Was Talking On His Cell Phone
“Dancer Jonathan Ollivier was killed when his motorbike was hit by a minicab while the driver was making a hands-free call on his mobile, a court has heard. Ollivier died last August after his motorbike collided with a car as he was making his way to the final performance of Matthew Bourne’s The Car Man.”
Why Balanchine’s ‘Jewels’ Makes The Perfect Introduction To Ballet
Alastair Macaulay: “Nobody can miss how vividly different its stage worlds are: the green romantic medieval French forest of ‘Emeralds’ (music by Fauré); the red Modernist high-energy American urban world of ‘Rubies’ (Stravinsky); the wintry white (both snowscape and palace) grand imperial Russian classicism of ‘Diamonds’ (Tchaikovsky). What other artist could conjure these three dissimilar realms with such easy mastery?”
The LA Dance Company That Uses Toys And Architecture To Careen Off
Diavolo’s taste for heights, soaring numbers and gigantic playthings hasn’t changed much since its early days, but the method behind the madness has evolved from freewheeling experimentation to fine-tuned research and development, especially after the company was commissioned to develop a trilogy of dance works for the Los Angeles Philharmonic in 2005.
Jacques d’Amboise – Still Dancing At 82
“I danced for a long time before I asked myself the question,” he says. The question being, “What is dance?” He now thinks it’s “an invention by human beings to express space and time…to express wonder and emotion by losing control in how we move in time.” Needless to say, that’s something everyone should have in life, in some form, at some time or another. It’s so obvious to D’Amboise he never even says that.
The Person Dancers Depend On To Make Those Tutus Flare
“If fashion is chimerical fantasy, Mr. Happel brings a dose of earthbound reality to the work: Will all that detailed embroidery read from far away? Will dancers actually be able to raise their arms in that bodice?”
The Ballerina Triplet Who Escaped The Nazis But Is Still Dancing [AUDIO]
“When things got painful, we’d hug each other and speak either French or German with each other and dance together.”
Can An Old Dance Theatre Do New Tricks?
“The theater looks a certain way, the curtain goes up on a company, and whatever happens on a stage can be vastly different from week to week. However, the experience itself of attending the Joyce has grown to be somewhat regular, and this is a way to challenge that.”