The Ballerina Who Got Away – From New York, From Seattle, From Ballet – Comes Back (For Now)

Carla Körbes became a professional at New York City Ballet, but left because she wanted a greater variety of repertoire; she went to Pacific Northwest Ballet and had a brilliant career, but retired at age 33. (“I wasn’t having fun anymore,” she says.) But up at Vail, Damian Woetzel got her back onstage, and she’s about to dance Martha Graham in New York.

How Akram Khan Turned His Most Famous Solo Into A Children’s Work About Ancestral Tales, A Locked Cellphone, And A Call Center

“The man in the photograph at right is angled slightly to one side, his arm curved and his fingers – held together, sharply separated from the thumb – pointing down into what appears to be an upside-down fish. Above him floats a bee, and a snake curls languorously over a branch, appearing to watch his activities with interest.”

Exploring Rodin’s Significant Role In Dance

“Rodin used his (by then significant) influence to champion the careers of these dance pioneers and he was a key figure in supporting Nijinsky during the brouhaha that followed his 1911 ballet L’Apres Midi d’un Faune, when half of Paris claimed to be scandalised by its pagan images of sexuality and its adoption of archaic-looking dance forms.”

Damian Woetzel Finally Brings His Colorado Dance Experiments To New York

For several summers now, the former New York City ballet principal has been putting together unusual combinations of dance styles, performers and roles at his Vail International Dance Festival. Why is he only now presenting the results in the city? “I’ve always felt a little reticent simply because what goes on in Vail – it’s very much a lab atmosphere. But then it started to feel that there were a number of things that haven’t been seen in New York.”