Merce Cunningham’s Company May Be Dead, But His Dances Live On (And On)

“Since Cunningham revivals largely depend on dancers’ understanding of his style, the disbanding of the company [at the end of 2011] seemed like a farewell to Cunningham dance theater. The End. But … a Cunningham diaspora has now emerged. Former dancers teach his technique in America, Britain, France and elsewhere. Exciting young Cunningham dancers have surfaced. Important revivals of a large number of his works have occurred in several countries.”

Of Course The Rockettes Should Dance In The Inauguration And Make A Powerful Statement

Someone’s got to heal this divided citizenry. Dance can do this and a nationally televised show presents an ideal platform. The Rockettes shouldn’t perform for Trump (like my friend was forced to dance for Putin), but rather for his supporters. That said, no artist should ever be asked to “tolerate intolerance”; they have a responsibility to challenge it.

Could Companies Just Stop Dumping Gifted Dancers Because Of Some Arbitrary Ideal Of Height Or Body Type?

Jenice Armstrong, on Sara Michelle Murawski’s dismissal from Pennsylvania Ballet because, at 5’11”, she’s too tall: “Murawski’s dancing abilities don’t appear to be in question. So if ballet officials had an issue with a tall dancer, why woo her here? Now that she’s finally here and performing beautifully, she gets a hard toe shoe up her backside, because they apparently don’t like the idea of a tall female looming over shorter male dancers.”

They Fired The Sugar Plum Fairy (That’s Philly For Ya)

Yeah, it’s the city that throws garbage at their own team as well as at the opponents, that has a courtroom and jail in the sports stadium, that beat up a sidewalk Santa (okay, okay, that was a generation ago), that decapitated a friendly hitchhiking robot. In Philadelphia last week, Pennsylvania Ballet told a principal, about an hour before she went onstage, that this would be her last season there because she’s just too tall. (It’s a tough town.)