Why Does Dance Movement Have To Be Gender-Specific? (It Doesn’t)

“We can all do all the parts. We don’t do lifts. The traditional duet always has the woman reliant on the man, him leading and her going along with it. Even with Merce, partnering was traditionally gendered. Sexual but “pure”. I’m sick of it. I’m trying to be human, to make something that is ourselves. It’s about stripping away mannerisms and affect. So you just see the person, moving.”

The Ballerina From Ballerat

Brooke Lockett was 15 when the Australian Ballet in Melbourne called her up. “It was really intense. And some of my teachers back home were skeptical. Thing is, you only get one shot at being a great ballet dancer and it needs a young body. … That window is incredibly small.”

How Julie Kent Is Transforming Washington Ballet

“One expects change when a new artistic director takes over, as Kent did half a year ago. But in Thursday’s opening-night performance at the Kennedy Center’s Eisenhower Theater, marking the start of the company’s spring season, it was clear that Kent’s touch is a subtle and sensitive one, apparent in such artistic intangibles as musicality, an apt quality of airiness and an overall attention to detail.”