Crystal Pite, Matthew Bourne, English National Ballet Take Olivier Awards For Dance

“Crystal Pite and actor/playwright Jonathon Young won Best New Dance Production for Betroffenheit, their harrowing exploration of loss and grief [at Sadler’s Wells]. … Tamara Rojo has made some gutsy choices since becoming artistic director in 2012, and ENB’s Best Achievement in Dance Olivier ‘for expanding the variety of their repertoire with Giselle and She Said at Sadler’s Wells’ is just one more spot of validation. … Not only did he garner the Best Theatre Choreographer award for his production of The Red Shoes, Bourne also got to accept the award for Best Entertainment and Family, again for The Red Shoes.”

Almost Half Of Atlanta Ballet Dancers Leaving Company After One Year With New Artistic Director

The turnover may be somewhat normal for new artistic directors, but it’s partly because of an intense change in style: “For some of the veteran dancers leaving the Atlanta Ballet, the switch from former director John McFall’s contemporary style to Bolshoi-trained [Gennadi] Nedvigin’s traditional style was a major adjustment.”

Striptease Has Long Been The Province Of Women, But ‘Magic Mike’ Sparked A Revolution In Men Performing For Cash As Well

Thanks not only to the two “Magic Mike” movies starring Channing Tatum but also to “Fifty Shades of Grey” and its sequels, business is booming for the several dance teams who also sometimes sing and always strip. The movies and books “have prompted women in more conservative areas … to more openly enjoy watching guys gyrate onstage.”

Farm Animal Ballet: Ann Carlson’s ‘Doggie Hamlet’ Becomes Ammo In The NEA Wars

“What exactly is Doggie Hamlet? The 70-minute production, which unfolds at dusk, includes five performers, three herding dogs, a dog handler, a dog trainer and a flock of sheep.” A rough, heavily-edited three-minute video of sections of the piece was picked up by a conservative website and posted under the headline, “Taxpayers Foot Bill for ‘Doggie Hamlet’.” Gia Kourlas investigates, and, as a dance critic, comes to Carlson’s defense.