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Who Was Ira Glass’s Biggest Influence? Roland Barthes (Yes, The Semiotician)

“At college, we were assigned Barthes’s S/Z , which made me understand what I could do in radio. … In S/Z, Barthes takes apart a short story by Balzac, line by line. He asks: How does this story pull you in, engage, and give you pleasure? He … explains: here’s how to structure a narrative by creating a sequence of events that will create forward motion that will create narrative suspense, planting questions along the way that can be answered. That turned out to be an enormously useful way to think about how to do an interview.” – The New York Review of Books

Tolkien Estate Throws Large Monkey Wrench Into Amazon’s ‘Lord Of The Rings’ Series: Report

“Tolkien scholar Tom Shippey, who is supervising the show’s development, told German fansite Deutsche Tolkien that the estate has refused to allow the series to be set during any period other than the Second Age of Middle-earth. This means Amazon’s adaptation will not cross over at all with events from the Third Age, which were dramatised in Peter Jackson’s Oscar-winning trilogy and sees hobbit Frodo Baggins destroy the One Ring.” – The Guardian

As Plantation Museums Turn Their Focus To Enslaved People, Certain Tourists Are Not Happy

“‘It was just not what we expected.’ ‘I was depressed by the time I left.’ ‘… the tour was more of a scolding of the old South.’ ‘The brief mentions of the former owners were defamatory.’ ‘Would not recommend.’ These are a few of the apparently negative reviews posted online about guided tours of Southern plantations.” – The Washington Post

The Rise Of The ‘Catalyst-Conductor’

Lidiya Yankovskaya (a fine example of the phenomenon herself): “In addition to their traditional duties within established institutions, an increasing number of conductors run independent organizations, launch musical and civic initiatives, serve as catalysts for the development of new work, and use their positions to cross disciplinary boundaries. In bypassing institutional gatekeepers, these conductors have brought relevance, vitality, and an expanding number of previously unrepresented voices into the field. Indeed, the dynamic new ‘catalyst-conductor’ could help bring the revitalization that the classical music industry so desperately seeks.” – NewMusicBox