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How Curators Took Over Creativity

In fits and starts, the professional curator arrogated responsibilities once held by the artist, the collector, the historian, or indeed the critic, becoming the figure who assigned meaning and importance to new art: someone the art historian Bruce Altshuler has called “the curator as creator.” Soon after, the curator stepped beyond the single museum or institution to become a roving organizer and analyst of contemporary art. – New York Review of Books

MoMA’s Opportunity To Tell New Stories

Peter Schjeldahl: “The renovation is a big deal for the global art world, and certainly for New York. It runs up against problems old and new. Generously enlarged quarters will only marginally relieve a chronic crush of visitors, the museum victimized by its own charisma. Enhanced representations of art by women, African-Americans, Africans, Latin-Americans, and Asians can feel tentative, pitched between self-evident justice and noblesse oblige. But such efforts are important and must continue. We will have a diverse cosmopolitan culture or none worth bothering about.” – The New Yorker