“Ana Subeliani arrived at the film premiere for And Then We Danced by foot, but left in an ambulance, blood running down her face. … Before screenings in November, far-right protesters and members of the Georgian Orthodox Church, some holding religious icons aloft, tried to stop moviegoers entering theaters” screening the film, which depicts a romance between two male members of the country’s national dance troupe. – The New York Times
Blog
Atlanta Journal-Constitution Demands Correction On Clint Eastwood Film
The Clint Eastwood film looks at the media circus that broke out around Jewell, a security guard who came under suspicion for orchestrating the Centennial Olympic Park bombing before being exonerated. Scruggs, an employee at the paper, broke the story that Jewell was under investigation by the FBI. The film shows Scruggs, portrayed by Olivia Wilde, sleeping with an FBI agent (Jon Hamm) to get the story. Scruggs died in 2001 at the age of 42. The paper has maintained that there is no evidence that Scruggs slept with anyone involved in the Jewell investigation. – Variety
In The Footsteps Of Peter Handke In Bosnia, Seeing What He Did, And Didn’t, See
Controversy has raged over the awarding of this year’s Nobel Prize for Literature to the Austrian writer, acknowledged as an accomplished author but accused by many observers of denying or defending Serbian war crimes in Bosnia in the 1990s. So John Erik Riley decided to reread the Handke essays at the heart of the dispute and visit Sarajevo, Goražde, Višegrad, and the site of the massacre at Srebrenica. – Literary Hub
The Seattle Symphony’s Miraculous Reinvention (And Now New Challenges)
Ten years ago the Seattle Symphony was badly broken. Miraculously, a new leadership team emerged, the orchestra chased reinvention and its fortunes soared. Now that leadership has departed and there are big questions about what’s next. – Post Alley
A Real-Time Election Night Play, Ready For This Week’s UK Vote
The Vote, originally staged at London’s Donmar Warehouse in 2015, will return in an updated form this Thursday. The 90-minute play depicts the final 90 minutes of voting at a polling place in a swing district. – The Observer (UK)
William Luce, Playwright Of ‘Belle Of Amherst’ And ‘Barrymore’, Dead At 88
“Over a 40-year career, Luce … worked with the likes of Zoe Caldwell, George C. Scott and Claire Bloom as he wrote about the private lives of Charlotte Brontë, Lillian Hellman, Isak Dinesen, Zelda Fitzgerald and others. The Belle of Amherst, his portrait of the reclusive Massachusetts poet Emily Dickinson, won [Julie] Harris the fifth of her six Tony Awards … Barrymore, about the gifted and self-destructive actor John Barrymore, earned [Christopher] Plummer his second Tony and was filmed for television.” – The Hollywood Reporter
St. Petersburg Museums Struggle With Surge Of Chinese Tourists
Visits by Chinese citizens to Russia have been growing by 20% a year, and that rate will likely increase in 2020, when electronic visas become available. The extra crowds have caused particular problems at the Hermitage and, especially, at the Catherine Palace in nearby Tsarskoe Selo, where there are wait times of up to four hours as Chinese groups flock to see the famous Amber Room. – The Art Newspaper
Anne Midgette: The Exit Interview
“I felt like it was really time to move on. I could see myself doing the same thing for the next 20 years and I don’t want that. … Music has never been my only interest and it’s always bemused me a little bit that I ended up as a classical music critic.” – Perfect Sound Forever
How MBA Programs And Big Corporations Are Using The Arts To Train Executives
The business school at Oxford has students try to conduct a choir. Carnegie Mellon uses a book club and art installations. The Royal Academy of Dramatic Arts offers courses to business types. And what lessons get learned in all this? – The Economist
Actor René Auberjonois, Known For ‘M*A*S*H’, ‘Benson’, ‘Deep Space Nine’, And Robert Altman Films, Dead At 79
“Mr. Auberjonois worked constantly as a character actor through several periods and forms, from the dynamic theater of the 1960s to the cinema renaissance of the 1970s to the prime period of network television in the 1980s and ’90s — and each generation knew him for something different.” – The Washington Post