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How To Deal With Racist Operas? Show, Don’t Hide

“To survive, opera has to confront the depth of its racism and sexism point-blank, treating classic operas as historical artifacts instead of dynamic cultural productions. Opera directors should approach the production of these classics as museum curators and professors — educating audiences about historical context and making stereotypes visible.” – The New York Times

In The Next Decade There Will Be A Massive Transfer Of Wealth Between Generations. What Will This Mean To Art?

There was a cultural difference between pre-boomer collectors, motivated by “connoisseurship and aesthetic appreciation,” and subsequent generations, who had “more of an awareness of the financial component of art.” As a result, boomer collectors have been less inclined to donate art to museums, either public or private, and lose a leverageable asset. – The New York Times

The Complicated Role Of Humor In The Old USSR

Like many of us today, the Soviet leaders misunderstood what humour is and what it actually does for people. Telling a joke about something is not the same as either condemning or endorsing it. More often, it can simply help people point out and cope with difficult or frightening situations – allowing them not to feel stupid, powerless or isolated. In fact, something the Stalinist regime failed to appreciate was that, because telling jokes could provide temporary relief from the pressures of daily life, in reality it often enabled Soviet citizens to do exactly what the regime expected of them: to keep calm and carry on. – Aeon

America’s First Racially Integrated All-Girl Swing Band

“The International Sweethearts broke attendance records at places such as Washington DC’s Howard Theatre, Harlem’s Apollo Theater, Cincinnati’s Cotton Club and the Riviera in St Louis. They played in the same venues as Count Basie and Dizzy Gillespie, were considered some of the most talented musicians of their day and toured France and Germany as a USO act in 1945. Unfortunately, racism and sexism largely swept them from the public record; they became footnotes in other people’s stories.” – The Guardian