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Dance Protests In France Over When Dancers Can Collect Their Pensions

On Saturday, officials announced that the government would withdraw, at least temporarily, a plan that would have raised the full-benefit retirement age, now 62 for many workers, to 64 for all professions. The Paris Opera Ballet’s dancers currently stop working at 42, then receive monthly payments equal to 45 to 48 percent of their top salaries. – The New York Times

The Future Of Entertainment: 10-Minute Shows On Your Phone?

Yup. A startup called Quibi has raised $1 billion in investment capital from every major Hollywood studio and most of the major tech companies. It has corralled an A-list tsunami to make programs—Steven Spielberg, Steven Soderbergh, Guillermo del Toro, Anna Kendrick, Zac Efron, Chrissy Teigen, Jennifer Lopez, Antoine Fuqua, Sam Raimi, Catherine Hardwicke, Idris Elba, Kevin Hart, Lena Waithe, NBC News, ESPN, BBC. The whole thing launches in April with a year of advertisements already sold. – Wired

Failures of imagination

As I watched Dolemite Is My Name on Netflix the other day, I realized that I never anticipated living to see the end of movies as a public and collective viewing experience. Yet it’s well on the way to happening. This led me to ask: what other things did I fail to envision taking place in my lifetime? – Terry Teachout

How Esther Perel Turns Couples Therapy Sessions Into Podcasts

“Perel, a famed Belgian cross-cultural psychologist and educator who has written numerous books and given countless talks on the subject of relationships and sexuality, conducts these sessions based on a structural conceit: couples who apply and get accepted are given only one session. There’s a functional purpose to the one-and-done format. The scarcity raises the stakes for the people going into them, incentivizing a need to get as much on the table as soon as they can. The result, when documented, is a concentrated capsule of human drama.” – Vulture

Reconsidering Cole Porter

Though he was born into genuine if provincial affluence, with second-tier European royalty filling out the family’s dance card on vacation, he chose to become a working stiff. Reversing the usual American ascent from labor to leisure makes for a more strenuous, and more moving, story. The labor produced a new kind of American lyric, and language. – The New Yorker