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An Extraordinary Boots-On-The-Ground Arts Philanthropist In Atlanta

“My desire to give evolved from going to a lot of museums, art galleries and live performances,” he says. “It took years to develop my taste, but once I was on the ground, seeing what these entities could do, it was easy to want to step up and help. I actually wonder why more people don’t do it because I can’t imagine anything more satisfying.” – ArtsATL

Stories Are An Oral Tradition. They Work Differently When You Don’t Hear Them

Once upon a time, none of these stories had yet been fixed on a page (or a clay tablet), but were carried in the physical bodies of the people who committed them to memory. Long before Johannes Gutenberg and his printing press, and 1,000 years before cloistered monks and their illuminated manuscripts, the principal storage facility for history, poetry, and folktales was the human head. And the chief means of transmitting that cultural wealth, from generation to generation, was the human voice. – LitHub

A New Museum That’s Betting You’ll Pay For A More “Experience” Experience

The museum is betting that in a city where tickets to the Museum of Ice Cream cost $38, visitors will be willing to pay for the privilege of experiencing photography in a way that feels more like socializing than doing homework. (Admission for adults is $28; more than at the Museum of Modern Art, which charges $25, but less than for MOIC.)  – Artnet

One Of The Last Full-Length Interviews Of Monty Python’s Terry Jones

“The BBC came very close to erasing all of the original Python tapes, at least from the first season. What happened was that we got word from our editor that the BBC was about to wipe all the tapes to use for more ‘serious’ entertainment — ballet and opera and the like. So we smuggled out the tapes and recorded them onto a Philips VCR home system. For a long time, these were the only copies of Python‘s first season to exist anywhere. If these were lost, they were lost for good.” – Vulture

I Began Studying Ballet At Age 62

Michelle Herman: “In that very first class, long before I had any idea what I was doing, … I had a moment of what seemed like perfect clarity: My body and my mind were working as one. And this was something I had no experience of. During the brief periods of my life when I’ve exercised — when I’ve taken up swimming or aerobics or yoga — I had always turned off my mind in order to attend to my body. That was why it was fun (when it was fun), and I wanted it to be fun — how else could I get through it? But I saw, that first day in the dance studio, that it was the work of ballet that appealed to me — the mental work, I mean.” – Slate

Frank Gehry And His Favorite Buildings, And How He Thinks About Buildings

“I don’t play music and I don’t paint, but I always thought architecture was an art and I try to practice it that way. Architecture is intuitive. It’s humanly expressive. You’re putting yourself on the line. You start out not being understood, and you keep going because you have to. And it’s harder to explain.” – New York Magazine