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Cal Arts Alums Launch Program To Reduce Cal Arts $50k Tuition

Launching this month, 50+50: A Creative Century from Chouinard to CalArts is a program for which 50 artist-alums are creating new works, typically in editions of 10 to 20, and produced by Lisa Ivorian-Jones. The pieces will be sold to raise scholarship funds for the school, in order to support a new generation of would-be artists who might not be able to afford CalArts’ tuition, currently at $50,850.  – W Magazine

Ambitious Major Triennial Canceled In Beijing Over Coronavirus Fears

The CAFA Art Museum (CAFAM) in Beijing announced its decision to suspend the inaugural edition of its CAFAM Techne Triennial, an ambitious exhibition of media art scheduled to open on February 20. More than 130 artists and collectives planned to exhibit their work in the museum’s 5,000-square-meter space, including Alex Da Corte, Wang Gongxin, Hito Steyerl, Tauba Auerbach, Zhang Peili, and Hans Haacke. – Hyperallergic

We Think Poverty And Opportunity Are In Cities. Here’s Another Way Of Looking At It

Newly released Index of Deep Disadvantage looks at poverty and disadvantage across all the nation’s counties and 500 of the largest US cities. The index was based on three categories of data: income, health, and social mobility. While the most advantaged communities in the U.S. rank alongside the most developed parts of the world, those struggling the hardest measure up with countries like North Korea and Bangladesh. From among the list of 100 most disadvantaged communities, 80 are rural. – Daily Yonder

Revise Those Biographies: Beethoven Could Still Hear Until Just Before He Died

Theodore Albrecht, professor of musicology at Kent State and Beethoven expert, claims, “Not only was Beethoven not completely deaf at the premiere of his Ninth Symphony in May 1824, he could hear, although increasingly faintly, for at least two years afterwards, probably through the last premiere that he would supervise, his String Quartet in B-flat, Op 130, in March 1826.” – The Observer (UK)

The Freelance Theatre Designer Life Isn’t For The Faint Of Heart

Joanna Scotcher trained as a sculptor, but when she started trying to sculpt doorways between spaces and the human interactions in those spaces, one of her professors hinted that she might consider the theatre. But, she notes, “a career in design ‘isn’t financially viable’ for most people, and the opportunities on offer – unpaid work, training schemes, assistant designing – ‘remain the preserve of the privileged few.’ It’s something she is passionate about changing.” – The Stage (UK)

Being A Musician Doesn’t Have To Depend On Feats Of Physical Strength

Indeed, composer and performer Molly Joyce says, that idea may be offputting to potential new audiences, and new performers. “Although she eschewed pyrotechnics in her own music long before she publicly identified as disabled, … Joyce has found many alternatives to virtuosity since embarking on exploring disability aesthetics as an artistic pursuit. For her, vulnerability is the new virtuosity.” – New Music Box

Korean Cinema Didn’t Become The Best In The World By Accident

Several of the directors, including Parasite director Bong Joon-ho, “emerged from the period of 1980s civic turmoil that ended the military dictatorship. They were all members of the university cine-clubs that showed films banned under censorship laws, on campuses boiling over with pro-democracy fervour. Hence the taste for exploring off-limits parts of the national psyche.” Also, well, it’s structural: South Korean used to require its movie theatres to show homegrown cinema for 147 days per year. – The Guardian (UK)