This isn’t a small issue: “The Met is the largest performing arts organization in the nation: It is a $308 million-a-year operation, but a fragile one. The high costs of mounting opera, coupled with weakness at the box office and a relatively small endowment, make it highly dependent on donations. Now, it will lose millions in ticket revenues.” – The New York Times
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A Short List Of Major Culture Closures Due To COVID-19
A lot of movies are delayed, awards ceremonies postponed, movies (including the new Bond movie and the live-action Mulan) put off until later … and a lot of places are now closed “indefinitely” or until a date that may change later. – The Guardian (UK)
Egypt’s Oldest Pyramid Reopens After 14-Year Closure
Assembled between 2630 and 2611 B.C. in Saqqara, Egypt, the pyramid, where Djoser and 11 of his daughters were buried upon their deaths, contains roughly 11.6 million cubic feet of stone and clay. Looping through and around the burial chambers is a winding, maze-like network of tunnels that was likely designed to prevent theft but apparently weakened the building’s structural integrity. – Smithsonian
Does Democratization Of Culture Mean The End Of Audience?
“My current research situates audience development within work on culture as a vocation, and wider debates around the democratisation of culture and cultural democracy. Audience development both replicates and reproduces (rather than challenges) the dominant cultural hegemony – most notably in subsidised cultural institutions. As such, it has traditionally been seen as a management tool for the democratisation of culture.” – Arts Professional
Sculptor J. Seward Johnson Jr, 89
Johnson, a sculptor who may be responsible for more double takes than anyone in history thanks to his countless lifelike creations in public places — a businessman in downtown Manhattan, surfers at a Florida beach, a student eating a sandwich on a curb in Princeton, N.J. — died on Tuesday at his home in Key West, Fla. – The New York Times
Modernism And The African American Experience
Back at the beginning of the 20th century, artists such as Picasso, Braque and Matisse turned to African art for new ideas about how to represent the world, creating figures with masklike faces, flattened forms and backgrounds of vibrant patterning. They weren’t just borrowing visual ideas, however. Many of them believed in a connection between what they saw as primitive culture and the deeper wellsprings of psychological life, a way to reference and represent urges and emotional drives that had been suppressed by “civilization.” But they also were appropriating wholesale the visual material of people who were suffering colonial oppression, taking sacred objects out of context and imputing to them European-derived ideas about their purpose and meaning. – Washington Post
An Opera That Works To Reinvent The Form
“We were like, how do we do this so that we don’t let the audience off the hook — that this is the land where this happened?” says Yuval Sharon. “Los Angeles State Historic Park feels like a central character in ‘Sweet Land.’” – Los Angeles Times
Needed: A Rethink Of The Digital Millennium Copyright Act And Creativity
The platforms are under no legal obligation to proactively seek out infringement and remove it, nor – most annoyingly of all – do they ever have to permanently remove an infringing work. “Notice and takedown” does not mean “notice and stay-down,” which results in an ongoing game of Whack-A-Mole for copyright owners who get a work removed, only to see it pop up again somewhere else on the internet… again, and again, and again… – Creative Future
Was London’s Millennium Dome Really The Enormous Fiasco Everyone Remembers? Not Entirely …
It cost more than £750 million (that was well over a billion dollars then), the grand opening at the turn of the millennium was one snafu after another, actual visitor numbers were half of projections, and the UK government eventually sold it for a pound. But families loved it at the time, and it’s now the most popular live music venue on Earth. Imogen West-Knights recounts how it all happened in this week’s Guardian Long Read. – The Guardian
A High Stress Threat To The Arts
There will soon be lots of demands for emergency funds, to bail out small businesses, cab drivers, restaurants, and so on. Cultural workers, who contribute so much to urban life in normal times and who will be so severely missed in abnormal ones, need relief starting now, before the world they belong to withers away. – New York Magazine
