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How A Magazine Of Debate Influenced Our Culture

For many who wrote for the magazine, attended its monthly discussion lunches or simply subscribed, involvement with Encounter was to take sides in an historic struggle in which the Anglo-American relationship was deemed crucial (which is certainly how Lasky saw things). It was this sense of engagement, reflected in the magazine’s title, that gave its pages their distinctive character. – The Critic

COVID Casualty: Celebrity Culture?

Among the social impacts of the coronavirus is its swift dismantling of the cult of celebrity. The famous are ambassadors of the meritocracy; they represent the American pursuit of wealth through talent, charm and hard work. But the dream of class mobility dissipates when society locks down, the economy stalls, the death count mounts and everyone’s future is frozen inside their own crowded apartment or palatial mansion. The difference between the two has never been more obvious. – The New York Times

We Can Rebuild, But Why?

Merely stabilizing the economy, or preventing the absolute worst of all possible worlds, will not be enough. In a short few weeks, the COVID-19 recession has made painfully clear our profound economic weaknesses. We have long known that 40 percent of Americans cannot afford an unexpected $400 expense. Now we are beginning to understand exactly what that means. – Boston Review

Awareness: Our Digital Selves Are Our Real Selves

It would be easy to dismiss the rise of “social distance socializing” as a product of pure necessity, a stopgap until we are, hopefully, able to safely congregate in person again. But these online gatherings are the culmination of a much broader cultural shift: the revelation that so much of our lives is already lived online. What we might call our “digital bodies” — our online avatars, the words we write on Twitter or Facebook, the photos we post on Instagram — are not artificial projections of who we are into an artificial space, but rather part and parcel of our identities. Our “digital bodies” are as much part of us as our legs or our fingers. – The New York Times

Jennifer Schantz Is New Director Of The NY Public Library’s Performing Arts Collection

Schantz, 51, currently the executive vice president and chief operating officer at the New-York Historical Society, will take up the position in May. She succeeds Jacqueline Davis, who has led the library for two decades. The performing arts library, located in Lincoln Center, is one of the New York Public Library’s four research divisions, with a collection of some 8 million items that extend far beyond books to include manuscripts, photographs, scores, ephemera, sheet music, stage designs, costume designs, video and film. – The New York Times