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The art world we return to—if there is one to return to at all—will be formed in this moment. This is the time to build our own institutions. Our shelter-in-place orders and the masses of workers, including art workers, who were fired when the economy came to an abrupt stop constitute a general strike, leaving us only to declare it. For the art world this could be a massive moment of reorientation. – Artnet

For those governing and supporting museums, the old standards about the use and disposal of collections and endowments are rapidly risking obsolescence. Museums are, of course, property-rich in a manner unlike any individual, or a company with a profit motive. Works of art and endowment funds (typically cash and investments held to generate income, not to be spent) are both, in the eyes of the law, the property of museums, but there are critical distinctions. Art collections generally do not appear on balance sheets but endowments do. The basic organisational question of which property is an asset that can be legally used to cover liabilities is unique to cultural institutions. Museums on either side of the Atlantic come at this challenge from slightly different starting points. – Apollo

“By the time the eight-week course was over, I was the wretch I am now: an unhinged woman vehemently obsessed with oil painting who wrestles with it like a feral person for hours every day. I had earth-moving revelations as I graduated from using makeup brushes to real sable, and switched from canvas to linen panels. My formerly adorable kitchen now looks as though Francis Bacon had assaulted a pope in it. I know things about linseed oil its own mother doesn’t know.” – New York Review of Books