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Georg Ratzinger, Famed Choirmaster And Pope Benedict’s Elder Brother, Dead At 96

“Ordained on the same day as his brother, Ratzinger proved to be a talented musician and went on oversee the recording of numerous masterpieces and concert tours around the world by the Regensburger Domspatzen, a storied choir that traces its history back to the 10th century. But his reputation was tarnished as he apologized for using corporal punishment to discipline boys amid a wider investigation into sexual and physical abuse in the Church.” – Yahoo! (AP)

Surveying The Damage To Philadelphia’s Arts From Huge City Funding Cuts

The budget passed by the City Council cuts municipal support for the arts citywide by 40% to $5.84 million, and even that amount is $1 million more than the mayor proposed as he attempted to close a $750 million deficit. The city’s arts office has been eliminated entirely, as has funding to film production and historic preservation agencies, and hundreds of other organizations have taken hits. – The New York Times

Consolation: Philadelphia Arts Orgs Get $4 Million In COVID Relief

It’s a bit of welcome news after major cuts from the city government: “467 Philadelphia-area arts and culture groups plus more than a thousand individual artists are receiving a total of $4 million raised through … a multidonor fund assembled in response to the pandemic. … The fund ended up being able to make an award to every group that applied for support and met eligibility requirements.” – The Philadelphia Inquirer

After 23 Years, Pittsburgh Ballet Theatre’s Artistic Director Says Farewell

“[Terrence] Orr’s vision included growth for the entire organization. Ticket sales, PBT School enrollment and the organization’s physical footprint in the Strip District all increased while he was artistic director.” So did the size and range of the company’s repertoire (previously heavy on Balanchine), and Orr encouraged a number of company dancers to choreograph as well. – Pittsburgh Post-Gazette

At Last, A Major Opera House Has Returned To Full-Scale Production

In Barcelona, they performed for plants. But at Madrid’s Teatro Real, it’s a real staging for a real (though smaller) audience. “The opening scenes of merriment have taken on a sombre tone, with the chorus clad in black and white and spaced exactly 2 metres apart. Minutes into the staging of La Traviata, the surgical masks come off, timed with the rising notes of an orchestra led by a conductor standing behind a plastic screen.” – The Guardian

Why Milton Glaser’s Iconic “I [Heart] New York” Worked

Glaser scrawled the first draft of the logo in the back of a cab, in 1976, red ink on a scrap of envelope; the sketch is now, fittingly, in the possession of the Museum of Modern Art. He made it for a marketing campaign for New York State, in 1977, which was a tricky moment for the city in particular—it didn’t seem very lovable. In the final design, the typeface is American Typewriter, friendly and approachable, with a cartoonish cast (notice the rounded bent knee of the “N”) that was Glaser’s signature, as if he anticipated the logo’s ascendance as kitsch. – The New Yorker