The words that everyone knows are just the chorus. There are verses about a baseball-mad woman named Katie Casey who went to the stadium, sat in the front row, loudly cheered the players and argued with the umpires — all things women did not do in 1908, when the song was written. And the inspiration for Katie was almost certainly the lyricist’s then-girlfriend, a famous actress and suffragette. – Smithsonian Magazine
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Hagia Sophia As Political Hostage
Skeptics see Erdoğan’s decree as a last-ditch call to his nationalist base for support as his political star wanes among Turkey’s youth. Even before his disastrous Covid-19 response threatened to destroy the Turkish economy (queasy about offending his religious supporters, Erdoğan failed, for example, to impose quarantines on pilgrims returning from Mecca), he was facing growing opposition over his crackdown on civil society and the judiciary and his disastrous handling of Turkey’s foreign affairs. – The New Republic
Promoting Your Book In The Summer Of COVID
There aren’t many readings at bookstores these days, so what are authors doing instead? Live-streamed appearances for which attendees buy the book to get a ticket and a #ParkAndRead drive-in book launch. – Publishers Weekly
Donald Trump Jr. Declares War On Publishers
Publishers have long relied on conservative imprints to churn out money-making bestsellers, but in the Trump era, fissures have emerged between those imprints, right-wing stars, and conglomerate publishers. Now Trump Jr. is bringing the culture wars to the book business, and it may ultimately have profound implications for the industry. – The New Republic
In The Last Big Pandemic, New York’s Theaters Stayed Open (But It Wasn’t Business As Usual)
“Royal S. Copeland, the powerful health commissioner of New York City when the [1918] Spanish flu crept in, looked askance at pandemic responses elsewhere … [and] was philosophically disinclined to intrude much on ordinary life. He also didn’t want to freak people out.” So the shows went on, but Copeland instituted some major changes in how they did so — and kept the toll in the city relatively low. – The New York Times
A Modern Spire For A Restored Notre Dame? Mais Non!
The idea was met with skepticism from numerous architects, conservationists, and academics, and polls showed that the majority of Parisians favored restoring Viollet-le-Duc’s design. (The original spire, built between 1220 and 1230, fell into disrepair and was dismantled in the late 1700s.) – Artnet
Bringing Tap Dance To The Cause Of Social Justice: Ayodele Casel
From blending tap steps and rhythms with Puerto Rican and other Latin music to reviving the memory of great female tappers of the past to founding a rehearsal and performance space in the South Bronx to using the arts to teach leadership skills to young women from New York City charter schools, Casel is using “the power of this art form to speak to social justice, race, identity, politics.” – Dance Magazine
Telluride Film Festival Was Trying Hard To Make Itself COVID-Safe. Here’s Why It Was Just Canceled Anyway
The September festival happens in a small, relatively isolated town, and management had planned a new reservation system, distanced seating, more outdoor venues; they’d even sourced a big supply of 15-minute coronavirus tests. “Our audiences go along with what the rules are,” executive director Julie Huntsinger said, “and we thought we could have great compliance.” Here she tells a reporter when and how she realized that wouldn’t be enough. – Variety
2,500-Year-Old Statue Of Atlas To Return To Temple Of Zeus In Sicily
“The statue, eight metres high and built in the 5th century BC, was one of nearly 40 that adorned the ancient building, considered the largest Doric temple ever built, even if it was never completed and now lies in ruins.” – The Guardian
$550 Million In Losses And Expenses, Finds Report On COVID-19’s Effect On New York City’s Nonprofit Arts Sector
Among the major data points: “Ninety-five percent of organizations canceled programs, 88% modified delivery of their programs, and as of May 8th, 11% were not providing products or services to their communities. Small organizations with budgets under $250,000 have been hardest hit. … 11% of organizations indicated that they do not think they will survive the COVID-19 crisis.” – SMU Data Arts
