“Carriageworks has a clear path towards recovery after creditors voted unopposed on Tuesday for a proposal to rescue the arts company with the support of philanthropists and the New South Wales government, but not everyone is happy with the deal.” The problem: many of those creditors are small arts organizations and individual artists, who may get only about a third of the fees owed them. – The Guardian
Blog
Two National Ballet Of Canada Dancers Retire With 114 Years Service Between Them
Laszlo Surmeyan danced lead male roles before becoming, in 1986, one of the company’s first principal character artists. This season has marked his farewell to the company after a remarkable 54 years, a record almost as remarkable as that of his wife, Lorna Geddes, who is also leaving this season, after 60 years. – Toronto Star
What Netflix’s List Of Ten Most-Watched Shows Tells Us
Netflix’s once heavily guarded vault of secret statistics has slowly opened up over the last couple of years, a gradual juicy reveal of viewer habits with some major caveats. – Irish Times
The Drivers Of American Innovation Are Slowing
The coronavirus pandemic and the administration’s botched response to it are damaging the engine of American innovation in three major ways: The flow of talented people from overseas is slowing; the university hubs that produce basic research and development are in financial turmoil; and the circulation of people and ideas in high-productivity industrial clusters, such as Silicon Valley, has been impeded. – The Atlantic
How Arts Schools Are Adapting
“It’s not an uninteresting moment to be part of CalArts,” said dance dean Dimitri Chamblas. “The school is ready to re-question, reinvent … innovating in this particular moment of time — it’s not a bad moment for study.” – Los Angeles Times
The Berkshires Cultural Crawl Without Crowds
“They parked all too easily; slung their fold-up camp chairs over their shoulders; and waited obediently in a socially distanced line to enter the grounds, cracking jokes behind their masks. The lawn — a special mix of Kentucky bluegrass, perennial ryegrass and a variety called fine fescue, designed to withstand the footsteps of up to 18,000 music fans a night — was as supernaturally green as ever. The vista, still magnificent. The sound? No tuning. Mostly birds chirping. Save for a robin dashing from the shadow of one red maple to another, it was very still.” – The New York Times
Seven Ideas For The Chicago Symphony To Perform Again
Howard Reich: “Should the organization succeed in presenting live events, it will deliver us from the current deluge of online performances by every musician who happens to own a smart phone. These musical snippets are better than nothing, of course, but bear scant relation to what happens when listeners hear music in a concert hall in real time.” – Chicago Tribune
When Lockdown Started, Powell’s Book Sales Soared. How’s Business Now? (Not So Good)
Emily Powell: “In some ways, it’s hard to say, because our trends have completely evaporated. Before the pandemic, I could have told you, ‘Oh, the first sunny day, and this month will look like this. The second sunny day will look like that.’ But all of those behaviors have gone away. So right now we’re on a relatively steady sales decline and trying to do our best to turn that in a different direction.” – Oregon Public Broadcasting
The End Of Tourism?
It took a pandemic to stop the gluttonous consumption of other places, trips that relied centrally on the have-nots—armies of hotel workers, cleaners, food preparers, bartenders, pool attendants—to provide the lavish experience sought. The argument in favor of this juxtaposition was that tourists, however noxious, were propping up the GDP of places like Macau (51 percent), Maldives (32.5 percent), Spain (14.6 percent), and Italy (13.2 percent). It was, as neoliberal economics go, a top-down model, mere cents going to the worst-off at the bottom. – The Baffler
Designing For Accessibility, 30 Years After The Americans With Disabilities Act
Michael Kimmelman: “With one in four American adults living with disabilities, designing for accessibility and diversity should hardly be considered a chore or just a compliance issue. It’s an opportunity, both economic and creative, but one that requires a shift in mind-set.” – The New York Times
