Roy Lichtenstein died in 1997. What might he think of all this, if he were alive today? He was a Democrat; he created prints in support of Dukakis, in 1988, and of Clinton-Gore, in 1992. But his overriding drive was to bring qualities of high art into taut accord with motifs from commercial mass culture. There is a term for that kind of aspiration: American.
Blog
Someone’s Always Announcing The Death Of The Short Story. Don’t Believe Them
“While bitter experience has shown poetry exactly where it stands in the marketplace, and the novel has shrugged off multiple reports of its death and maintained pre-eminence, the short story is continually characterised as the neglected form that will be great again. The funny thing is, when you explore its history you find the perception of a distant golden age, an undistinguished present and a return to glory has always been around: the short story has a problem with reality.”
In The Age Of The Curator, Are Degrees In Curatorship Worth Anything?
“Though it was originally an occupation that kept one behind the scenes, the appointment of curatorial posts is now fodder for news headlines, particularly when it comes to events like documenta or the Venice Biennale. More and more frequently, critics evaluate exhibitions based on how they are developed or formulated—thereby placing the responsibility of a show’s success directly upon the curator’s shoulders, and proving that they are no longer considered merely an overseer of collections or exhibitions. As the position becomes more high-profile, the crop of those aspiring to be curators grows, with more universities offering specialized programs in the field.”
Study: Children Are Getting Less Art In Their Lives
“According to new research conducted in the Netherlands by the Dutch school inspectorate, the amount of time children spend drawing by hand both in and out of school has been reduced over the last 20 years; the study also found that their artwork has declined significantly in quality and complexity since a similar study was conducted two decades ago.”
The Role Of Laughter In Our Culture
Laughter is no different than political systems, commercial relations or artistic practices: it evolves over time, the result and cause of material and social transformations. For medieval man, laughter was the great leveller. Preceding Martin Luther’s priesthood of all believers was Rabelais’s priesthood of all belly-laughers. Inclusive and communal, laughter left no one untouched; no less universal than faith, it was a bit more subversive. In fact, as Bakhtin notes, late-medieval laughter marked a victory, albeit temporary, not just over the sacred and even over death; it also signalled ‘the defeat of power, of earthly kings, of the earthly upper classes, of all that represses and restricts’.
Music Academy Of The West Returns To Business – Music Of Our Time
“We have started to make music of today part of our normal way of doing business. We’re not restricting music of living composers to a far corner of the summer and calling it ‘new music week.’ That sort of new-music ghetto is, to me, not the best way to present it. It suggests that new music is its own thing, and not connected with anything else. We think this music belongs on the same concert as Beethoven, Dvorak, and Stravinsky.”
Canadian Comedy Comes Into Its Own With The Trump Era
“In Canada, humor has become a way of pushing back against America’s cultural and political dominance, like a class clown subtly undermining the teacher. Its changing comedy offers a lens into how the nation is changing, too.”
Painter Ed Mieczkowski, Pioneer Of Op Art Movement, Dead At 87
“[He] was part of a circle of mid-century geometric abstractionists active in Ohio that included Julian Stanczak … Like Stanczak, Mieczkowski participated in the pivotal 1965 exhibition ‘The Responsive Eye’ at the Museum of Modern Art in New York, which launched Op Art. Mieczkowski co-founded the Anonima group in 1960 in Cleveland with painters Ernst Benkert and Francis Hewitt.”
Our Changing Notions Of Community Mirror The Rise Of Individuality And Decline Of Institutions
“It used to be that people were born as part of a community, and had to find their place as individuals. Now people are born as individuals, and have to find their community.” That change is on display in many facets of American culture, political and otherwise.
The Sites Where Online Culture Gets Created Just Can’t Make Money
Brian Feldman looks at Twitter, Reddit, and especially Tumblr – all of which have enormous user bases but still have trouble turning a profit – and why they’re so friendly to creative expression and sharing but likely doomed never to earn Facebook-level revenues.
