“The films, which I consider the two best ever made about the art, didn’t just record tap history; they became part of it, helping to stoke a revival.
Blog
Learning Philosophy At The Movies
“Cinema can serve philosophy not in some ancillary role – for example, by providing ‘illustrations’ of philosophical problems in classroom settings – but in its own right, with its own means, and in a manner irreducible to the methods of traditional philosophy.” Exhibit A: Rashomon.
How To Bring Up A Child To Love Reading Books: An Online Guide
Pamela Paul and Maria Russo of The New York Times Book Review say that “raising a reader is fun, rewarding and relatively easy” – and explain how. (First key hint is not to wait to get started: “Baby books are a necessity. … Read out loud, every day. Any book. … The content doesn’t matter.” And audiobooks don’t count.)
In His Lifetime, Toscanini Was A Musical God. His Star Has Faded Considerably With Time
In recent decades, “Toscanini’s musical reputation has faded badly. Some of his old fans have shifted their loyalty to the work of other conductors—to Furtwängler, say, whose soulful expressiveness and spontaneity have been held up as musically and emotionally superior to Toscanini’s fiery propulsiveness. In the revisionist view, Toscanini rushed through passages that other conductors would turn into contemplation or mystery or sheer loveliness. He offered a maximum of line, a minimum of texture; he was all athlete, no philosopher.”
How Do You Choreograph A Dance With 10,000 Gestures, Every One Of Them Different?
“10000 Gestures … may be a one-line idea, but it’s an extremely complicated one. [Boris] Charmatz’s concept is that no gesture – a word he uses to refer to any single movement, be it a dance step or a shoulder shrug – is ever repeated; and that every dancer’s sequence is unique.” Says Charmatz, “If you don’t repeat, you are throwing your material away all the time. You cannot do ‘good’ choreography like this. … It takes the pressure away.”
Longtime Chicago Institute Of Art Teacher Quits, Citing Hostile Environment
In his resignation letter, dated June 12, Bonesteel protested what he called “abuse of Title IX protections. Overall,” he wrote, “it is my contention that I have been unfairly vilified and demonized by [a] small cadre of militant LBGT students with an authoritarian agenda.”
Comic-Con Is A Non-Profit (Who Knew?) – And A Very Successful One
“When, in the nonprofit sector do you see revenue growth like this? The sponsoring organization’s 990 reports on GuideStar show that the organization’s revenue has grown from $185K in 2011 to $3.8M in 2015.” And how many nonprofits do you know of whose conventions draw well over 100,000 participants?
Is Urban Dictionary ‘Really, Really Racist’ And ‘Insanely Sexist’?
“Started in 1999 by then-computer science student Aaron Peckham, the crowd-sourced online dictionary that The New York Times calls the ‘lexicon of instant argot’ has grown over the past two decades into an internet behemoth.” Problem is, the definitions are submitted by ordinary users. In other words, as Clio Chang argues, “it is a pure product of the internet hordes” – and the hordes have contributed some very ugly stuff to the site, stuff that Peckham seems uninterested in policing.
A Guide To Classical Music Slang
For example: “Head-bobbers: Audience members who fall asleep during concerts. ‘Hey, Bob. Check out the head-bobber in the front row.'”
Revisiting The First Great Art Heist Of The New Millennium
“Sometime after 1 a.m. on New Year’s Day, while fireworks were blasting and revelers carousing in the surrounding streets – a thief successfully carried out his plan to steal Paul Cézanne’s View of Auvers-sur-Oise from the University of Oxford’s Ashmolean Museum.”