Art, particularly avant-gardist art, has long been the target of conservatives in all countries. Art is part of the great fraud that is being perpetrated on ordinary people: It is an extension of the media and therefore always fake news. The speech is explicit about the role of art in the hoax: “They use their singers and comedy stars and award shows to repeat their narrative over and over again.”
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How New Generation Classical Musicians Are Selling Their Art
Nadia Sirota: “When I got to Juilliard in 2000, I encountered a pretty sad, fatalistic attitude: We’re teaching you something we all love and believe in but we don’t know how to get you employed.” She and her friends were energized by that depression, convinced that a) classical music couldn’t possibly be dying since it felt so intense and essential to them, and b) the only way to save it was to sell it to their uninitiated peers.
Does Opera Need Movie Directors To Save The Art Form?
“With all due respect, opera critics risk missing what the rest of us will see and hear in the new era in which an increasingly significant portion of the audience is at cinema relays: the cross-cutting between scenes, the aesthetic reconstruction of theatre-bound drama through montage and even, sometimes, sophisticated sound design denied to mere opera directors. Just the things, in fact, film directors are good at.”
Hollywood’s Problem In 2017 Is, Simply, Bad Movies
“The refrain is always the same: Who cares if the fifth Transformers is drawing little enthusiasm in the United States when it’s doing well in China? But that defense is becoming more specious, as international audiences are also seemingly growing tired of the endless assembly line of action films, while the biggest box-office story of 2017 is the success of smaller-budgeted original films.”
Old Library Card Catalogs Were Wondrous Things
“Waxing nostalgic about card catalogs or being an advocate for the importance of libraries is a mug’s game. You can practically feel people glancing up from their iPhones to smile tolerantly at your eccentricity. My response to this, after an initial burst of profanity, is to explain (again) why libraries are essential to narrowing the inequality gap, and why the Internet is not an adequate substitute for books or libraries.”
America’s Original Fourth TV Network, Now Forgotten
“Long before FOX was hailed as the true fourth network, there was DuMont, an underfunded and largely forgotten broadcast pioneer whose lost recordings have become the stuff of minor legend. … Debuting in 1946, the network was actually started as a ploy to sell televisions.” (includes video clips)
There’s A World Record For Most Frida Kahlos In One Place? Who Knew?
More than a thousand men, women, and children alike dressed up as the popular Mexican artist to celebrate her 110th birthday, setting what appears to be a Guinness World Record for the most Fridas in one place.
The Countertenor Pushing His Fach Into The 21st Century
Anthony Roth Costanzo has ” pushed beyond the old-music limitations of traditional countertenors, performing new works written for him by composers including Nico Muhly, Jake Heggie, Suzanne Farrin, Steven Mackey and Matthew Aucoin.” New music star Claire Chase says, “what Anthony is doing is making that tool [the countertenor voice], with its range and its versatility, viable for composers in the 21st century.”
The Fyre Festival Disaster Has Made It Harder For All Big Festivals
“A Fyre-like calamity is the greatest fear of most festival organizers. The majority already seek to protect themselves by obtaining insurance, but it doesn’t come cheap, or easy. Insurers typically begin working with mega-festival organizers well in advance, determining exactly what kind of coverage they need. In some cases, risk and claim specialists will even tour facilities in advance and during the festival in an effort to mitigate any potential issues.”
Here’s The Story Behind The Original Ballerina Statuettes That Jeff Koons ‘Appropriated’
Sophia Kishkovsky looks into the history of Soviet ceramicist Oksana Zhnikrup and the Kiev workshop-factory where she created the figurines – to which, by the way, Koons did, in fact, purchase rights.