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Top Posts From AJBlogs 08.07.17

Sunrise, Sunset and Subjective Connections
Can we name a universal aesthetic experience, one that all peoples around the globe have encountered from the beginning of humanity to the present?  Probably not.  But if we wanted to come close, we could … read more
AJBlog: Infinite Curves Published 2017-08-07

The Artist in His Studio – Matisse: and These are a Few of His Favourite Things
The artist’s studio is different things to different people. I’ve been in quite a few of these (often magical) spaces. The first I can remember is Barbara Hepworth’s in Cornwall, and most of what … read more
AJBlog: Plain English Published 2017-08-07

Backenroth And Fischer, Stenmark & Piatruba
Swedish bassist Hans Backenroth and Danish guitarist Jacob Fischer played in the 11th century Klosterkyrkan, not far from Ystad’s center. Among the most experienced European jazz … read more
AJBlog: RiffTides Published 2017-08-07

Milstein vs. Szigeti
My frustrations with a recent performance of Brahms’ Violin Concerto sent me to youtube in search of something different: an act of therapy. … read more
AJBlog: Unanswered Question Published 2017-08-06

 

Some Existential Questions About Music And Artificial Intelligence

“Whether businesses or researchers, these teams are trying to answer the same question: can machines create music, using AI technologies like neural networks to be trained up on a catalogue of human-made music before producing their own? But these companies’ work poses another question too: if machines can create music, what does that mean for professional human musicians?”

Veteran Arts Admin Bob Booker Has Some Words Of Advice As He Retires

“In regards to arts advocacy in general, we need to take a new approach that places the arts as a vital, engaging activity of tremendous value to Americans.  Too often we approach advocacy and communication with our heads bowed and our hands out: “Please sir, can you save the arts? Can you save my organization that has been in the red for years and would you maybe consider following your state’s policy that requires arts programming in schools?”  We are too timid, too afraid of offending and are perceived as impotent, ineffectual and incompetent.”

The Dark Side Of Toscanini

“His players often sound as terrified as they must have been: it is worth going to YouTube and listening to a few of the maestro’s rehearsals, which still horrify in their sound and fury, the range of his imprecations, the breaking of his batons and hurling of his score. As Lotte Lehmann said, ‘If we weren’t good, this certainly wasn’t going to make us any better.’”

Employers Say They Want More Creativity. But Integrating It Into The Office Is Difficult

“According to a 2008 survey, 85% percent of employers looking to hire creative employees reported were “difficulty finding qualified applicants.” Yet the same survey found 57% of respondents citing arts degrees as being reflective of creativity. More recent research from IBM found that CEOs think creativity will be the most valuable skill around the office. But that begs the question: if there is a purported interest on the part of companies, why aren’t there more arts majors actually working in offices?”

Are Internet Standards A Threat To Digital Accessibility?

Last March, when a judge ordered the University of California–Berkeley to make 20,000 videos and podcasts accessible to people with disabilities, the university balked. The videos and audio files contained lectures by Berkeley professors that the university wanted to make available to anyone, as an act of public outreach, but disability rights groups had sued on the grounds that the materials lacked captions, were often incompatible with the screen readers that blind people use to access the Internet, and other related issues. So the judge ordered the university to make the materials accessible. Instead, Berkeley shut the program down, locking the formerly public materials behind a firewall. The university said it was just too expensive to retrofit accessibility into their public program.

Meet Today’s Version Of The Yuppies

“On its face, this approach to conscientious living may look like a rejection of the uninhibited greed associated with the ’80s. But the new aspirational class shares more with its predecessors than it wants to admit. As populist surges in the United States and Europe make clear, rising economic inequality has made it more critical than ever to rethink and uproot the status quo. Yet, as Cowen and Currid-Halkett both find, for all the new elite’s well-intentioned consumption and subsequent self-assurance, they have no intention whatsoever of letting go of their status.”

See What Michelangelo’s Marble Quarry Looks Like Today

High in the Apuan Alps of Tuscany sits Monte Altissimo, a 5,213-foot (1,589-meter) mountain, climbed in 1517 by the Italian artist Michelangelo in pursuit of fine marble for his sculptures. There, according to Reuters, he “found the marble of his dreams. It was, the Renaissance master wrote, ‘of compact grain, homogeneous, crystalline, reminiscent of sugar.’”

How The Smartphone May Have Killed A Generation

“The arrival of the smartphone has radically changed every aspect of teenagers’ lives, from the nature of their social interactions to their mental health. These changes have affected young people in every corner of the nation and in every type of household. The trends appear among teens poor and rich; of every ethnic background; in cities, suburbs, and small towns. Where there are cell towers, there are teens living their lives on their smartphone.”

In Search Of The Lost Sylvia Plath Novel That We Know Exists

“While the hope for new finds continues unabated, one known text eludes all who seek it. In the summer of 1962, Plath began work on her second novel. We know what it was about—a fictionalized autobiography in the vein of The Bell Jar about an artist who discovers her husband has cheated—and we know that she completed a number of pages of the book before her death. But in the years that followed, the manuscript for Double Exposure vanished.”