“Since its start in 2008, SoundCloud has been a digital space for diverse music cultures to flourish, far beyond the influence of mainstream label trends. For lesser-known artists, it has been a place where you can attract the attention of fans and the record industry without having to work the usual channels. There is now a huge roster of successful artists who first emerged on SoundCloud, including the R.&B. singer Kehlani, the electronic musician Ta-Ha, the pop musician Dylan Brady and the rapper Lil Yachty, to name just a few.”
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After 51 Years, Uncensored Version Of Joe Orton’s ‘Loot’ To Be Staged For First Time
If you know much about Orton, it won’t surprise you that “before its West End debut in 1966, [his] play fell foul of the lord chamberlain, who removed scenes that hinted at homosexuality and mocked the church and police.” The original version of the piece premieres next week in London to mark the 50th anniversary of Orton’s murder by his lover.
Banning All Ivory Completely Is Not Going To Save The Elephants, But It Could Lead Us To Destroy Important Pieces Of History
Okay, almost no one argues that we should continue to permit trade in new ivory. Yet, argues John Frederick Walker, blocking all sales of older, already-sculpted ivory – and (as is happening now) burning or crushing existing pieces, even certified antiques – will simply increase scarcity and add glamor (and cash value) to the material. And we’ll lose some marvelous historic art as well.
This New Performance Space Was Built To Withstand Avalanches
The Origen Festival has built a red tower, housing a 250-seat in-the-round theater lit by windows on all sides, on a 7,500-foot-high pass in the Swiss Alps. “Built at a cost of two million francs, it weighs 410 tons and can withstand winds of up to 240km/hr.” The plan is to present world theater and other forms there year-round (though they need another million francs to winterize the building).
How Do Looted Antiquities End Up At Museums Like The Met And The Getty, Anyway?
Noah Charney, co-editor of the Journal of Art Crime, fills us in on the tombaroli (Italian tomb looters who emerged in the 1970s), how they get their looted antiquities onto the market (the story has a villain named Medici), and how museums do (or don’t) check the objects’ provenance.
Cleveland Museum Of Art’s Director Wants To Pull In A Million Visitors A Year
“William Griswold, the museum’s ebullient and well-liked director and president since August, 2014, says his goal is to engage a larger and more diverse audience. And he sees no reason why the museum can’t achieve annual attendance of 1 million – a sizable increase over the average of 650,000 over the past three years, and the 707,000 visitors the museum drew in 2015-16, which included its centennial year.” Griswold tells Steven Litt how he plans to do it.
Barbara Cook, Broadway And Cabaret Legend, Dead At 89
The classic Broadway ingenue of the 1950s and ’60s, she made her name as the original Marian the Librarian in The Music Man and Cunégonde in Leonard Bernstein’s Candide. After a difficult period of alcoholism and weight gain, she reinvented herself as a cabaret star – one of whom no less than Stephen Sondheim said, “No one sings theater songs with more feeling for the music or more understanding of the lyrics than Barbara.”
Following Casting Kerfuffle, Broadway’s ‘Natasha, Pierre & The Great Comet Of 1812’ To Close
“The Broadway musical that had more Tony Award nominations than any other last season will close on Sept. 3 after struggling to overcome a recent casting controversy, the show’s producers announced on Tuesday.”
Septime Webre, Late Of Washington Ballet, Talks About His Plans For His New Gig In Hong Kong
Just a week into his term as artistic director of the Hong Kong Ballet, Webre says he’s impressed with the dancers’ technical standards and classical rep, and wants to inject “a higher level of sophistication into the [new] work made for the company.” He wants to create dances reflecting the city’s culture, and says he’s being inspired by Hong Kong films and Cantonese opera.
First Actor To Play Godzilla, Haruo Nakajima, Dead At 88
“Nakajima played [the mutant dinosaur] in the 1954 original and 11 subsequent films, donning the suit that he said weighed about 220 pounds and wreaking havoc on model cities and rival monsters. But he began his career in samurai films, including a small role in Akira Kurosawa’s legendary 1954 film Seven Samurai.”
