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Fairy Tales As Useful Caution

“I’ve been asked in interviews, in classrooms and by audiences, if I think fairy tales are feminist. I think they are, but not by our modern definition of feminism. Traditional fairy tales were created long before any such notion existed, and I’d say they help women, rather than lift up women. They warn, rather than extol. They’re useful, which is a much older kind of feminism.”

How To Keep New Plays From The One-Run-And-Done Fate? ‘Rolling World Premieres’

The Rolling World Premiere project, operated by the National New Play Network, “helps underwrite new plays to make sure they get at least three separate productions in three totally separate markets, all within 12 months – and all billed as world premieres as the play ‘rolls’ cross-country to various theaters, casts, and settings.”

Michael Cooper: Bayreuth, Nazis And Charlottesville

“It was my first visit to the Bayreuth Festival, and I was wrestling with conflicting emotions. There was the thrill of realizing my long-held dream of hearing Richard Wagner’s music in the opera house he built, where some of my favorite recordings were made. But there was queasiness, too, at the inescapable memories of old photos showing the theater defiled during the Nazi era, festooned with swastikas and visited regularly by Hitler. Then I stepped outside at intermission on Saturday evening and checked my phone.”

Steven Soderbergh, David Lynch, Hayao Miyazaki – Why Are All These Retired Directors Unretiring?

“Miyazaki has nothing left to prove. But for the other directors it’s hard not to suspect that the old retirement hokey-cokey – in, out, in, out – is at least partly driven by PR reasoning. … If that’s what’s going on, then these vacillating retirees have been forced into it by the tumultuous state of cinema. They’re taking action on a commonly voiced complaint: that the studios’ franchise addiction has sucked financing out of mid-range-budget films.”

Paula Vogel: Art As Outsider

The truth is, everybody is an outsider. Everybody. So, we mustn’t fear presenting that in a work of art so that people have different ways of seeing their outsiderness reflected. This is what I say to young people: “It is not a waste of your life to be a writer, or to work in the arts.” I think the more we see ourselves represented, the more that opens up possibilities for younger people.

How Jeff Koons’s ‘Banality’ Established Current Copyright Law For Artists

“The Banality shows spurred five lawsuits, some decades after the original exhibit. One is pending today, almost 30 years after the show, while another settled out of court. Koons lost the remaining three, with courts finding him liable for copyright infringement and rejecting his fair use defense: that he was parodying the source material. But importantly for the art world, … [those judgments] have helped to define when artists can and cannot use the work of others for their own pieces, making a lasting impact on copyright law.” Jessica Meiselman recounts the history.

To Hear How Jazz Got Pushed To The Side Of American Culture, Listen To This One Night In 1967

Alan Iverson: “Ellington could connect all the dots—the social, the modernist, the intellectual, the populist, the personally poetic—for a vision of American music truly epic in scope. As great as Evans was, he didn’t have that kind of command. Fifty years ago, the basic connection to a larger audience was slipping away. The integrity of the song was getting diluted by the scale. A kind of darker and mysterious undercurrent was giving way to something lighter in affect.”