Blog

Island In The Seine: A New Performance Space That Aims To Mix Things Up

It was the architect Jean Nouvel of France who conceived of a plan for the island in the suburb of Boulogne-Billancourt that would allow a natural flow between indoor and outdoor space. Then Shigeru Ban, the Pritzker-Prize winning Japanese architect, teamed up with the architect Jean de Gastines of France to create the project that cost 170 million euros (about $203 million).

Is Japanese Culture Traumatized By Centuries Of Natural Disaster?

“As bad as they were, the 2011 earthquake and tsunami were just the latest chapter in a long, tragic narrative. The Japanese archipelago sits at the nexus of four tectonic plates, subjecting the region to more than 1,500 seismic events each year, including at least two 5.0 magnitude or higher earthquakes. As a result, Tokyo has been destroyed and rebuilt on average, from 1608 to 1945, once every five years. … The effects of centuries of natural disaster may be most obvious, though, in Japanese culture.”

Why Doesn’t More Arts Philanthropy Go To Rural Areas?

“Many large grant entities, both foundations and government agencies, seem to prefer to fund urban areas for clear reasons. Many urban areas have significant needs and funding in urban areas can have a positive impact on more people. Funders, quite understandably, want the most bang for their buck, and more people live in urban areas. It all makes for a reasonable piece of conventional wisdom, but is it accurate? Does an urban-centric strategy truly generate the most bang for the buck?”

Berlin’s Staatsoper Reopens After Renovation

“When the city committed itself in 2008 to renovating the Staatsoper, which needed to be reinforced from groundwater leaks, the conductor Daniel Barenboim insisted that the acoustics also be improved. While he and Stefan Rosinski, the former Berlin Opera Foundation general director, advocated a full modernization of the interior, the mayor at the time, Klaus Wowereit, favored a historic preservation in keeping with German laws about cultural heritage.”

Thomas Campbell Opens Up About His Time Leading The Met Museum

“Audiences are changing, behavior is changing, scholarship is changing, and I think I’ve helped move the museum in the direction that it needs to be moved in to be successful in the future. It required making some fundamental decisions, and now I’ve played the part I can play there, and I’m looking forward to moving on and thinking about the cultural sector in a broader way.”