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Do You See Yourself As A Visual Learner Or An Auditory Learner? Turns Out There’s Little Scientific Evidence For Either

“The idea that people have different styles of learning – that the visually inclined do best by seeing new information, for example, or others by hearing it – has been around since the 1950s, and recent research suggests it’s still widely believed by teachers and laypeople alike. But is there scientific evidence that learning styles exist? ‘The short answer is no,’ says Daniel Willingham, a psychology professor at the University of Virginia in Charlottesville.”

A New Art Camp For Grownups In Marfa, Texas

“It’s part of what the New Yorker calls the ‘Peter Pan market’: a vogue for youthful things (coloring books, summer camps, even faux pre-school classes) rebooted for an adult audience. And while some may bristle at the conceit – which, fair enough, can occasionally seem ripe for a Portlandia parody – it’s worth considering the merits. For some, it might even be a fast-track to recover a lost creative impulse, all over the course of a long weekend.”

World Literature – It’s An Idea As Much As It Is A Reality

“For Goethe, world literature represented the bold ideal of a world in which no single language or nation dominated. World literature was the cultural expression of a political order, one in which the world had moved beyond the nationalism and colonialism that were dominating the 19th century. Goethe knew he would have to convert his contemporaries to the ideal of world literature.”

All The Lies About The Origins Of The Phrase ‘Liar, Liar, Pants On Fire’

“[It] is not the most intuitive of phrases. Although people’s pants do sometimes catch on fire, this correlates more with carrying around accidentally explosive materials than it does with truthfulness. Meanwhile, the vast majority of liars make it through life unscathed by this particular fashion catastrophe. The mystery of the phrase’s origins is compounded by the fact that several of its more popularly reported etymologies are, in fact, lies.” Cara Giaimo gets to the bottom of the matter.

The Predicament Of Arabs And Muslims In The American Theatre

Playwright Yussef El Guindi: “Americans are so averse to politics in their entertainment that the simple act of including Arab or Muslim characters in a play exposes it to the charge of being overly political or didactic. And if the play is written by an Arab or a Muslim? The writer must surely then be peddling some political agenda. Even if, for example, the play revolves around an Arab or Muslim family preparing a Thanksgiving dinner … The very act of rendering a group of people usually depicted negatively in a three-dimensional way is deemed a political act.”

Why We Need Artists In Politics Now More Than Ever

“If there was ever a time that the world needed artists, it is now. We need their radical ideas, visions, and perspectives in society. … The world [can] only be changed by those willing and able to conceive of reality in a holistic and intuitive manner.” Hans Ulrich Obrist, artistic director of the Serpentine Galleries in London, sounds the call, with reference to artists from Joseph Beuys and John Latham to Theaster Gates and Tania Bruguera to Edi Rama, they mayor who had the dingy old buildings of Tirana, Albania repainted in bright colors and transformed the mood of the city.