As researchers in learning and text comprehension, our recent work has focused on the differences between reading print and digital media. While new forms of classroom technology like digital textbooks are more accessible and portable, it would be wrong to assume that students will automatically be better served by digital reading simply because they prefer it.
Blog
How Opera Made The “Liabilities” In My Life Into Virtues
“The system of values that is manhood in the American south held up as its virtues firmness, reserve, self-containment, reticence, mastery of emotion. I longed to adhere to this system, but however hard I tried, I failed. I felt too much. I was prone to sudden rushes of emotion, to enthusiasms, affections, to tears… When I sang opera, the same things that had been sources of shame were sources of value. The gestures that embarrassed me in life made sense when I was on stage.”
The Real Problem With Making Good Movies Today Isn’t “Rotten Tomatoes.” It’s The Audiences Hollywood Is Trying To Capture
“The real problem is much bigger than Rotten Tomatoes—it’s that so much of Hollywood is now fixated on capturing the widest audience possible with every film. Blockbuster action movies, superhero franchises, jolty horror pictures, and animated family films that can draw large crowds are the order of the day. Even mother!, which was light on actual scares but heavy on mood and allegory, was marketed as a horror movie in an attempt to pull viewers; theatergoers who felt misled by the advertising may have contributed to the F CinemaScore rating.”
When You Take Dance Out Of A Theatre, You Get… Lots Of Questions
“In taking dance out of the theatre, Is This a Waste Land? not only takes the theatre out of dance, but most of the dance too. We’re left with a kind of social choreography, and an open expanse of questions that can – like other projects that venture outside theatre’s contained space – revitalise our experience of performance, spectatorship, sometimes even the world itself. Like seeing a familiar landscape anew.”
Lauren Gunderson Is America’s Most-Produced Playwright This Season. So Why Don’t You Know About Her?
“Her plays are staged almost twice as often as anyone else’s on the list, far ahead of venerated figures like Eugene O’Neill and August Wilson, who edged her for the top spot last year. (The survey excludes Shakespeare, America’s perennial favorite.) Although men still write three-quarters of the plays that get produced, Gunderson has built a national reputation with works that center on women’s stories. And, though most playwrights also teach or work in television, she has managed to make a living, in San Francisco, by writing for the stage.”
Bill Nighy Says It’s Become Fashionable For Actors Not To Learn Their Lines In Advance (For “Artistic” Reasons)
They mistakenly believe it improves their performance, he says. Saying actors must refocus their attention on preparing properly, Nighy argues the trend has been propagated by those who simply “don’t want to do their homework”.
The Ways We Abuse Art Are Terrible. There Are Plenty Of Culprits To Blame
Why make art when buyers treat works as an alternative currency, hiding them away like bullion bars in storage facilities? Can anything be done about questionable corporations and oppressive regimes using contemporary art to generate a spot of positive PR for themselves? And what links can be made between fuzzy surveillance images and abstract art?
How Britain’s Public Library System Was Dismantled
“Local councils have seized on the volunteer idea as an easy answer to budget cuts. Each local authority has struggled to find its own solutions, with local residents doing whatever they can. The commitment of volunteers is wholly admirable, but the result is that as a country, we have been left without a coherent library service and we have seen no real attempt to find out how well community-run libraries work.”
Many Wonderful Writers Have Been Lost To History. Christopher Fowler Looks At Reasons Why
Ultimately, the reasons for a noteworthy author’s obscurity are as various as the authors themselves. Fowler’s findings show that other contributing factors seem to include underrating their own work, reclusiveness, and genre (with notable exceptions, comic writers tend not to be taken seriously enough to preserve). The caprices of fashion hit populist fiction especially hard; striving as it does to capture the mindset of its time, it’s inevitably more perishable.
New Film ‘The Death of Stalin’ Is A Madcap Farce – But In Russia, They’re Not Amused
The satire by Armando Ianucci (creator of Veep) is getting great early reviews in Britain (The Guardian‘s critic called it the movie of the year). The Russians beg to differ – even though no one there has seen it and the distributor hasn’t even applied for a license for it yet. A pro-Kremlin newspaper pro-Kremlin newspaper called the film “a nasty sendup by outsiders who know nothing of our history”; one politician said it was a “planned provocation” and another described it as an “unfriendly act by the British intellectual class … [part of an] anti-Russian information war.”