Those affected said they “felt unable to raise concerns”, and he “operated without sufficient accountability”. The London theatre said it “truly apologises” for not creating a culture where people felt able to speak freely.
Blog
What Happened To The $2 Million Marina Abramovic Raised For Her Institute?
The edgy artist, who became world famous for staring down people in her blockbuster 2010 MOMA show, The Artist is Present, touted her multi-million dollar Marina Abramovic Institute for the Preservation of Performance Art as a place for artists to conduct grand experiments. The Yugoslav-born Abramovic also said it would “change the local economy” in Hudson, NY, in much the same way the Sundance Film Festival transformed Park City, Utah, and the Guggenheim Museum changed the Spanish city of Bilbao.
Can A New “Mayor Of Nightlife” Save New York’s Music Scene?
“The announcement of New York’s Office of Nightlife comes not long after the release of an influential report, in March, by the city’s Office of Media and Entertainment, which oversees the city’s music industry. It found that more tickets are sold for live performances here than in any other city in the world (5.4 million in 2015) and that New York can still support additional venues — but that the most at-risk sector is the small local venue that supports artist communities. Over 20 percent of such venues have closed in the past 15 years.”
Art As Engagement Or Communicator Of Something More?
“There is an interesting link to be made between art and populism. Populism is not only something that embeds itself into actual politics; it is also a disease affecting the art world. In many institutions the focus on popularizing the programs is so big that one wonders whether the emphasis is still on the art that is being shown, or on the mediation between the art and the audience. There has been a shift from what is being shown to how something is being communicated. Yet this communication is often bypassing or reducing what the artistic work is about and the potential experience the work of art can create.”
The Midwest As Cultural Anyplace (Comforting But Problematic)
“If the Midwest is a particular place that instead thinks of itself as an anyplace or no-place, it is likewise both present and not present in the national conversation. The Midwest is, in fact, fairly frequently written about, but almost always in a way that weirdly disclaims the possibility that it has ever been written or thought about before. The trope of featurelessness is matched by a trope of neglect (for what can one do with what is featureless but neglect it?).”
The Art Of The Hidden Track, That Surprise On Your CD Or LP
We gained a lot when albums went fully digital, but we also lost a bunch of stuff along the way. Among the things we lost: Record sleeves, media towers, and Tower Records. We have digital equivalents of all these things, so it’s not like we necessarily miss them. But perhaps the one thing we lost that we’ll never get back is the hidden track. It was one of the few things about an album that couldn’t easily be converted to MP3 or Spotify. … Today’s Tedium analyzes the artform of the hidden track.”
Study: Art In The Workplace Inspires Creativity
“Appreciating art induces inspiration, which in turn facilitates performance on creative tasks. Our results show that simply displaying art in the work environment could enhance employees’ creative capabilities, thereby driving innovation.”
How Big A Mess Was David Hallberg When His Foot Injury Nearly Ended His Career? This Big
“It turns out he was adrift in a sea of Carlton Draughts … During more than a year of self-imposed exile in Melbourne, he spent hours on park benches, washing away the pain of a wrecked career with six-packs of beer.” Sarah Kaufman looks at Hallberg’s new memoir.
Queen Victoria’s Fake Cranach Turns Out To Be Genuine
“For more than a century art historical experts have labelled a painting Queen Victoria bought as a Christmas present for Prince Albert a 19th-century fake. But a new generation of art historians has discovered they were wrong. Victoria and her advisers were correct when they bought the painting in 1840. It is a genuine work by the German master Lucas Cranach the Elder and his workshop.”
And This Concert Is How Propaganda Is Made
Anne Midgette: “An ultimate test of cultural diplomacy is the question of who controls the narrative. On Monday, the organizers restricted media access to this high-security event. After trying unsuccessfully to reach media representatives before the event, then waiting at the door, I was told that the fire marshal had ruled that no more people could enter the building. Later, the media representative explained that she had promised the fire marshal they would not exceed the RSVP list, and they took that seriously. When I did enter, thanks to the intervention of a cathedral staffer, there was plenty of room inside. Some members of the media, certainly, had been alerted: TASS, the state Russian news agency, ran an article shortly before the event.”