“‘Today I filed defamation proceedings in the federal court of Australia against the Daily Telegraph,’ he said at a brief press conference in Melbourne. ‘This is to address the hyperbole, lies and the spurious claims about me in entertainment community. They have splashed spurious claims with bombastic titles on their front pages.'”
Blog
Could Ballet Classes In Prison Lower The Number Of Repeat Offenders? New Zealand Is Trying It
Corrections NZ has invited the Royal New Zealand Ballet into a women’s prison to offer classes. A pair of journalists visit just as a group of inmates is getting ready for holiday performances. (audio and video)
Pantone’s 2018 Color Of The Year Is – Well, Not Bad After The Last Few
Three years ago, it was the singularly unlovely marsala; the next year, Pantone chose blue and pink (in honor of gender fluidity); for this past year, it was – not green, but “greenery.” For 2018, it’s “the highlighter-purple shade that has also been the name of a Warhol superstar who died in 2014; a 2006 dystopian action film starring Milla Jovovich as a rebel infected with a vampiric virus; an online activist community founded in 2012 to combat sexism and violence toward women; and a kind of light that can cause skin cancer (ahem).” Yes, it’s Ultra Violet [sic].
Top Posts From AJBlogs 12.07.17
Attorney General Asks to Extend Preliminary Injunction Preventing Berkshire Museum Sales
The legal jousting in the Berkshire Museum case continues: The State Attorney General’s Office has filed a new motion in Massachusetts Appeals Court, seeking “to extend the current injunction and stay until Jan. 29, 2018.” … read more
AJBlog: CultureGrrl Published 2017-12-07
This Wikipedia Competitor Aims To Use Blockchain To Create A Better Encyclopedia
“In January, when the site moves over to a blockchain, Everipedia will convert IQ scores to a token-based currency, giving all existing editors an allotment proportionate to their IQ—and giving them a real, financial stake in Everipedia. From then on, creating and curating articles will allow users to earn tokens, which act as virtual shares of the platform. To prevent bad actors from trying to cash in with ill-founded or deliberately false articles and edits, Everipedia will force users to put up a token of their own in order to submit. If their work is accepted, they get their token back, plus a little bit for their contribution; if not, they lose their token. The assumption is that other users, motivated by the desire to maintain the site’s value, will actively seek to prevent such efforts.”
The Best Dance In New York This Year?
The New York Times dance critics pick their favorites.
Celebrating The Success Of The Museum Of Failure
“When people are presented with a perfect image of something — whether a product or a perfect person — it doesn’t feel authentic. And the Museum of Failure, with its artifacts, feels — and is — completely genuine and authentic. And that’s something that’s not so common today.”
Toronto Symphony’s Budgetary Legerdemain In Service Of Survival
“Revenue from ticket sales was down, while production costs continued to rise. Subscription and tickets were down slightly by 1.6% from $8.6M in 2016 to 8.5M in 2017. Production costs increased by 6.4 % from $18.3 M to $19.6 M. The steep cost of touring to Israel set the TSO back over $1.9 M this year, which we can only speculate must have been a point of contention in the board, which last year saw half of its members abruptly resign.”
Overhaul Of Scotland’s National Gallery Well Over Budget Despite Having Been Scaled Back
“When the project was officially launched just over a year ago it was said to be aimed at tackling the “institutional embarrassment” of how work by the likes of Allan Ramsay, Sir Henry Raeburn, Alexander Nasmyth and Phoebe Anna Traquair is displayed. But it emerged in May of that extending the existing 19th century building by around five metres had been ruled out due to the concerns over the cost and complexity of building above railway tunnels.”
How Silence About Terrible Things Shapes Experience (A James Levine Story)
“This is an essay about what happens when knowledge is warped by a cult of interpretive genius. It is about having had my understanding of music fundamentally structured by James Levine’s craft when I was the same age as the children he allegedly liked to abuse, and in the process having decided not to know what I knew. It is about what it means to me that my love of music and my understanding of how it should sound were shaped by someone who abused children, and that the institutions in which and by which that love was fostered likely protected the abuser and enabled the abuse.”
