Blog

Amazon Has Its Own 80-Piece Orchestra And A Cappella Group

“‘About this time last year, one of our oboists looked through our employee directory and looked through people’s interests, particularly in classical musical instruments, and he just sent out this massive email, asking ‘Hey, who wants to start an orchestra?” recalls Beau Curran, a technical account manager on Amazon’s digital music operations team and an oboist in the Amazon Symphony. ‘The first day of rehearsal, we were really wondering whether we’d just end up with a saxophonist and a keyboardist, and that would be our orchestra.'”

Museum Of The Bible Finds A Key Audience: Evangelical Bus Tours

“Officials hope that the museum will become as much of an attraction for faith-based group tours as the Capitol or the Library of Congress, and that hordes will pass through the 40-foot-high, two-ton Gutenberg Bible portals depicting text from Genesis. Tour operators such as Purpose Driven, most traveling by bus and religious in nature, are critical to the museum’s success.”

Study: Economics Professors’ Output, Accomplishment, Decline Markedly After Getting Tenure

“On average, the number of annual publications fell by approximately 30 percent over the two years after tenure was granted and by an additional 15 percent over the next eight years. Home-run publications also fell by 30 percent within two years of professors earning tenure and by an additional 35 percent over the next eight years.”

Should Street Art Be Legally Protected? This Case Calls The Issue

The case is being closely watched because Vara gives artists the right to preserve their work only if it is of “recognised stature”. In November, a Brooklyn jury decided in favour of the artists in a verdict, in effect saying street art deserves protection even when, as at 5Pointz, thousands of works were painted over to continually make way for new art. But the jury verdict was only a recommendation.

Study: Huge Gender Gap At The Top Of British Theatres

The research, which looked at 33 venues, was carried out in response to recent conversations about gender equality, and in light of concerns from some SDUK members that seasons were heavily weighted towards male directors. The research looked only at in-house shows produced by the venues themselves, rather than visiting shows, and included productions staged by artistic directors.