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The New Tax Bill Really Screws Artists (And It Might Have Been So Much Worse)

“It’s worth nothing just how viscerally vicious the Republicans wanted to be towards artists and the creative professions as the Congressional legislative process, such as it was, began. Earlier drafts of the tax bill attempted to discard the “qualified performing artist” deduction for low-income entertainment industry workers. There was an amendment aiming to eliminate low-income housing credit exemptions that are to lure artists into new cities through affordable housing. There was an attempt to treat tuition wavers as taxable income, something that would have disproportionately affected artists who enroll in MFA programs. While none of these items made it in the final version of the tax bill, it demonstrates frothing Republican hostility to anyone in any creative profession anywhere in America.”

Scanner And New Software Looks Inside An Ancient Charred Bible That Is Too Fragile To Open

Dr. Brent Seales has spent 14 years developing a technique for reading ancient scrolls that are too fragile to unwrap. Fine-detail CT scanners can visualize the ink of letters inside such scrolls, but the alphabet soup is unreadable unless each letter can be assigned to its correct position on a surface. Dr. Seales has developed software that can model the surface of a contorted piece of papyrus or parchment from X-ray data and then derive a legible text by assigning letters to their proper surface.

These Are The Most-Performed Composers Worldwide In The Past Year

The Bachtrack stats report that “the composer with the most performances in 2017 has returned to Wolfgang Amadeus Mozart, while Hallelujah choruses will be sung around the world to celebrate that Handel’s Messiah reclaimed its position as the top performed work. The Bachtrack database listed a similar number of events to the previous year, around 32,000.”

The Getty’s Pacific Standard Time Has Been A Hit. Here’s What PST Should Do Next

Christopher Knight: Pacific Standard Time should underwrite full retrospective exhibitions of artists with significant histories of working in Los Angeles, beginning in the late 19th century and continuing to the present. Not project shows. Not young or emerging or new artist surveys. Not a phalanx of partial looks at a segment of an established artist’s output. Instead, I mean full, rigorous accountings of historical figures, as well as artists beyond mid-career who have been in it for the long haul — a generation or more.

Debate Over Museum Admissions Is An Existential One

The debate over what or if to charge admissions is part of a larger debate over what museums should do and be. The model of the past century for museums, Feldman said, is “build, grow and acquire,” which is expensive and demands that no source of revenue be overlooked. The newer conception of museums involves ideas about what should be done with the existing collections in order to improve access and increase understanding, which is why a growing number of institutions are putting their collections online and trying to make the museum experience more interactive. The largest museums in the country are attempting to pursue both models, but the result has been that their actions on the one hand work against the increased access they hope to achieve.

Why ‘Hamilton’ Is Timely In London, Too

“The most knowing laughter came at King George’s caution to the newly independent colonies: ‘Oceans rise / Empires fall / It’s much harder when it’s all your call / All alone, across the sea / When your people say they hate you, don’t come crawling back to me.’ Was this a prophecy of Donald Trump’s spiralling isolationism – the travel ban, the broken accords, the looming wall – or an admonition to Brexit leaders fumbling?”

Does The ‘Seeing Slowly’ Method Of Looking At Modern Art Work?

The technique (if that’s the word) that art dealer Michael Findlay recommends in his book Seeing Slowly: Looking at Modern Art is to stand in the middle of the gallery room, pick a work that catches your eye, and simply look at it for at least three (and up to 15) minutes. No reading the wall text or listening to the audio guide. Elena Goukassian gives the method a try to find out if it helps her appreciate better an artist whose work she’s never related to or liked.