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Yale’s New Cultural Hub Gets A Director

The center, designed by Robert A.M. Stern Architects and due to open in 2020, will present performances for people at Yale and the general public — from poetry readings to rock concerts. Located in the current freshman dining hall Commons (which will remain) and Memorial Hall, the center will also serve as a communal campus hub, with multiple gathering spaces, including a bistro and pub on the renovated basement level.

They Play Classical Music In London’s Underground. For What Purpose?

“Anti-loitering tactics first came into UK law as part of the Vagrancy Act of 1824, which was aimed at tackling begging, prostitution, and sleeping rough, which are still criminalized today. The approach of a government of 200 years ago to tackle a symptom of a social problem rather than its root cause has fundamentally not changed. I began to think that the classical music played in these stations was symptomatic of a backward society.”

Call To Action: Curators, Historians, Artists Call For More Engaged Cultural Institutions

“We are writing to affirm the leadership role of cultural institutions in advancing cultural and social as well as political public discourse. As stewards and advocates of contemporary and historical cultural expressions, we directors, curators, and staff members of cultural institutions, as well as the board members to whom we are accountable, have a particular obligation to facilitate the free and safe exchange of ideas about our contemporary world with art as the catalyst.”

The Curious Case Of The Movie Whose Studio Lost Confidence In It

Annihilation will still hit screens in the world’s two biggest markets—the U.S. and China—but the Netflix partnership is an unusually public show of nervousness over the film’s profitability. Paramount can use the money from the deal to help recoup the film’s reported $55 million budget, but if Annihilation is a hit, the studio will miss out on any international grosses. The deal also effectively signals Paramount’s lack of trust in the vision of the filmmaker it hired.