Chelsea Ainsworth and artist Kyle Netzeband decided that presenting dance on film or online just wasn’t adequate. So they decided they’d try putting on a series of shows on the roof of their six-floor East Village apartment building. Amazingly, the landlord was game for it. – The New York Times
Blog
Why Was There Just A Twitter War Over Van Gogh And Realism?
Way back on August 9, “Margarita” tweeted side-by-side images of van Gogh’s Café Terrace at Night and a rendition of the same scene in Arles by contemporary painter Haixia Liu (not to be confused with Thomas Kinkade); she appended the message “Should expose how overrated Van Gogh is.” It took until this past weekend, but the Twitterverse did notice, and it … reacted. – ARTnews
Atlanta Opera, Pushed By COVID, Moves To New Business Model For Fall 2020
“‘This pandemic has devastated so many lives and businesses,’ [general director Tomer] Zvulun said. ‘But it has also been a major catalyst in accelerating our shift to a business model that we have been discussing for years: creating a company of players, performing in nontraditional spaces,” — for this fall, that means alternating performances of Pagliacci and The Kaiser of Atlantis in an open-sided circus tent — “and developing our video and streaming capabilities.'” – ArtsATL
Edinburgh Int’l Festival Online Racks Up More Than A Million Views
“The festival said its 26 digital productions, which featured specially staged performances involving about 500 artists, musicians and technical staff, were watched 1.013m times in nearly 50 countries worldwide. Last year, its live shows in Edinburgh had an audience of 420,000.” – The Guardian
Culture Clash: Where The British Ex-Director Of Paris’s Châtelet Theatre Went Wrong
Laura Cappelle, a thoroughly bilingual arts journalist and a trained sociologist, looks at the assumptions made and misunderstood by both Ruth Mackenzie and the officials who hired and then fired her. – The New York Times
Why Algorithms Are Problematic In Education
“The global pandemic made it difficult to sit exams safely, so a solution needed to be devised. By looking at a combination of teacher’s predictions, past individual performance, and past school performance, grades were generated for every high school student in the UK. But as soon as the grades started to come in, thousands of students and teachers were shocked to see bright students getting poor grades. How it could it be that otherwise diligent and intelligent students from poor backgrounds were getting results which were demolishing ambitions?” – 3 Quarks Daily
Why Are Magazine Artciles Fact-Checked But Books Aren’t?
Most nonfiction books are not fact checked; if they are, it is at the author’s expense. Publishers have said for years that it would be cost-prohibitive for them to provide fact checking for every nonfiction book; they tend to speak publicly about a book’s facts only if a book includes errors that lead to a public scandal and threaten their bottom line. Recent controversies over books containing factual errors by Jill Abramson, Naomi Wolf, and, further back, James Frey, come to mind. – Esquire
Inside The Brains Of Jazz Improvisers
“How do singers such as Betty Carter take command of the present moment, seemingly bending reality to their will? While more romantic notions of creativity might point to Carter, and others like her, being ‘touched by the spirit’, there are less lofty explanations related to the physical dimension of making music with the human body, as well as the singer’s skilful musical interplay with the other musicians and the audience. There are also complex cognitive and psychological processes that drive the ‘real-time’ spontaneous creation of music.” – Psyche
The Future Of Our Lives Indoors
“Multiply your age by 0.9. If you’re forty, you’ve spent thirty-six of your years indoors. About a third of that is time spent sleeping, but still. Most humans who live in the United States and Europe spend more time indoors than some species of whale spend underwater. It may be that the minutes you spent walking to and from the subway on a Tuesday in January tallied up to fewer minutes than a whale spent on the surface, filling its lungs, that same day.” – The New Yorker
Here’s What It’s Like To Visit The Newly Reopened Met Museum
The new rules were evident inside the Met, where staff have installed an elaborate routing system designed to shuffle visitors from room to room without much crossover. Entrance into the Egyptian Wing, for example, brings attendees on a counterclockwise tour of the galleries. This makes for a more linear experience than usual, when meandering through different sections was a possibility. – Artnet
