“A raft of state-owned museums is rising along the East Bund riverside in the Pudong New Area of eastern Shanghai. Details have yet to be formally announced, but projects due for completion in 2020 include the Pudong Art Museum, the Shanghai Museum East, the Shanghai Library East and the Pudong Urban Planning and Art Centre. The towering 80,000 Ton Silo on the Huangpu River opened as an exhibition venue after refurbishment last October.”
Blog
Big Publisher Dismisses E-Books As Uncreative
“It’s the limit of the ebook format. The ebook is a stupid product. It is exactly the same as print, except it’s electronic. There is no creativity, no enhancement, no real digital experience,” said Arnaud Nourry.
Claim: The Lead Guitar No Longer Leads In Pop Music
“The biggest bands to emerge in the alternative and rock scene over the last few years, including Imagine Dragons and Twenty-One Pilots, have largely abandoned the electric guitar, harnessing instead the sonic textures and propulsive beats of hip-hop.”
The Pervasive Influence Of Philip Glass
Glass’ music is everywhere — in concert halls, in opera houses, on film and television soundtracks. He has created both a singular sound world and a repertoire of compositional strategies that have almost single-handedly transformed the face of contemporary music. His work has become a reference point for much of what audiences have experienced for decades.
How A Hit Musical Changed The People In Gander, Newfoundland
Many of the 7,000 who unexpectedly landed in Newfoundland that day had their lives altered by the generosity of their hosts, but Come From Away has given a certain celebrity status to those whose stories are told by the musical.
Irish Opera – Third Time’s The Charm?
“The first Irish National Opera (INO) company ran from 1965 to 1984 and specialised in productions that toured with only piano accompaniment. The second Irish National Opera company was announced in 2009 when Martin Cullen was arts minister. International consultants advised on the setting up of the company and a general director was recruited. However, it was shut down by minister Jimmy Deenihan in 2011 without ever having presented a single production. The latest incarnation, with Fergus Sheil as artistic director and Diego Fasciati as executive director, is the outcome of an Arts Council-initiated process to restore a regular supply of natively-sourced productions of mainstream repertoire to large stages in Dublin and regional centres.”
How To Teach Your Kids Media Literacy
The idea of media literacy may not seem to mix with the fun of TV and movies. But when kids relate to the content, they’re more engaged, and they can learn critical-thinking skills from discussing it. All you want to do is get your kids to think more deeply about what they’re watching. You may want to reinforce the positive ideas on the shows, or you might want to offer a different perspective. Teaching kids to pause and think — and not just accept things at face value — is teaching them a valuable skill.
Where’s The Next Generation Of Arts Leadership In Canada?
Canadian cultural organizations are experiencing a leadership deficit and the problem is worsening as more and more highly regarded chief executive officers announce their retirement. We are seeing a generational change in leadership. Coming retirements for 2018 include long-standing CEOs Peter Herrndorf of the National Arts Centre and Piers Handling of TIFF.
If Tech Changes Where We Live, How Do The Arts Follow?
“If there is a population shift away from cities towards less developed suburban and rural areas, there may need to be a shift in audience development strategies. Fewer people who can easily commute to a performance or exhibition, will necessitate the need for finding new ways to attract and entice both those possibly smaller subsets remaining in a defined area, and those growing cohorts no longer in the area. We have already witnessed the negative effects of intolerable commute situation on the willingness of some consumers to brave the traffic to attend events even relatively near their homes or workplaces.”
‘I’m A Pretty Antisocial Socialist’: Glenda Jackson Talks To Ben Brantley About Her Return To The Stage From Politics
“Appearing before a live audience again, she says she felt no more nervous than she had before any performance from decades earlier – which is to say, she was terrified. ‘You can go onto that stage every night, and it’s always the equivalent of going onto the topmost diving board, and you don’t know if there’s any water in the pool. Every time I say, ‘Yes, I’ll do it,’ I think, ‘My God I don’t know how to do it. I can’t do it.’ We are sadomasochists as well as being brave, actors, and we torment ourselves.'”